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  • © Licensed to London News Pictures. 24/07/2020. London, UK.  Protesters demonstrate against job cuts and pay outside the Tate Modern art museum. The Tate Modern will re-open to the public after closing due to the Coronavirus outbreak. Photo credit: Ray Tang/LNP
    LNP_RTG_TATE_MODERN_REOPENS_06.JPG
  • © Licensed to London News Pictures. 24/07/2020. London, UK. A Tate staff member wearing a face mask poses next to "Fons Americanus", 2019, by Kara Walker. , at the Tate Modern art museum. The Tate Modern will re-open to the public after closing due to the Coronavirus outbreak. Photo credit: Ray Tang/LNP
    LNP_RTG_TATE_MODERN_REOPENS_05.JPG
  • © Licensed to London News Pictures. 24/07/2020. London, UK. A masked member of staff stands in front of a work of art by Peter Sedgley entitled Colour Cycle with three lights, at the Tate Modern art museum. The Tate Modern will re-open to the public after closing due to the Coronavirus outbreak. Photo credit: Ray Tang/LNP
    LNP_RTG_TATE_MODERN_REOPENS_04.JPG
  • © Licensed to London News Pictures. 24/07/2020. London, UK. A masked member of staff stands in front of a work of art by Peter Sedgley entitled Colour Cycle with three lights, at the Tate Modern art museum. The Tate Modern will re-open to the public after closing due to the Coronavirus outbreak. Photo credit: Ray Tang/LNP
    LNP_RTG_TATE_MODERN_REOPENS_01.JPG
  • © Licensed to London News Pictures. 24/07/2020. London, UK.  Protesters demonstrate against job cuts and pay outside the Tate Modern art museum. The Tate Modern will re-open to the public after closing due to the Coronavirus outbreak. Photo credit: Ray Tang/LNP
    LNP_RTG_TATE_MODERN_REOPENS_07.JPG
  • © Licensed to London News Pictures. 24/07/2020. London, UK. A masked member of staff stands in front of a work of art by Peter Sedgley entitled Colour Cycle with three lights, at the Tate Modern art museum. The Tate Modern will re-open to the public after closing due to the Coronavirus outbreak. Photo credit: Ray Tang/LNP
    LNP_RTG_TATE_MODERN_REOPENS_03.JPG
  • © Licensed to London News Pictures. 24/07/2020. London, UK. A masked member of staff stands in front of a work of art by Peter Sedgley entitled Colour Cycle with three lights, at the Tate Modern art museum. The Tate Modern will re-open to the public after closing due to the Coronavirus outbreak. Photo credit: Ray Tang/LNP
    LNP_RTG_TATE_MODERN_REOPENS_02.JPG
  • © Licensed to London News Pictures. 17/06/2016. The first member of the public in the queue, Ray Cunnick aged 65 is greeted by Frances Morris, director of the Tate Modern on the first public opening day of the Tate Modern Switch House extension. The new ten-story building offers 60% more space and a 360-degree views of the River Thames, St Paul's Cathedral and the dramatic London skyline.  London, UK. Photo credit: Ray Tang/LNP
    LNP_TATEMODERN_PUBLIC_EXTENSION_12.JPG
  • © Licensed to London News Pictures. 17/06/2016. The first member of the public in the queue, Ray Cunnick aged 65 is greeted by Frances Morris, director of the Tate Modern on the first public opening day of the Tate Modern Switch House extension. The new ten-story building offers 60% more space and a 360-degree views of the River Thames, St Paul's Cathedral and the dramatic London skyline.  London, UK. Photo credit: Ray Tang/LNP
    LNP_TATEMODERN_PUBLIC_EXTENSION_11.JPG
  • © Licensed to London News Pictures. 17/06/2016. The first member of the public in the queue, Ray Cunnick aged 65 is greeted by Frances Morris, director of the Tate Modern on the first public opening day of the Tate Modern Switch House extension. The new ten-story building offers 60% more space and a 360-degree views of the River Thames, St Paul's Cathedral and the dramatic London skyline.  London, UK. Photo credit: Ray Tang/LNP
    LNP_TATEMODERN_PUBLIC_EXTENSION_10.JPG
  • © Licensed to London News Pictures. 17/06/2016. The first member of the public in the queue, Ray Cunnick aged 65 is greeted by Frances Morris, director of the Tate Modern on the first public opening day of the Tate Modern Switch House extension. The new ten-story building offers 60% more space and a 360-degree views of the River Thames, St Paul's Cathedral and the dramatic London skyline.  London, UK. Photo credit: Ray Tang/LNP
    LNP_TATEMODERN_PUBLIC_EXTENSION_09.JPG
  • © Licensed to London News Pictures. 17/06/2016. The first member of the public in the queue, Ray Cunnick aged 65 is greeted by Frances Morris, director of the Tate Modern on the first public opening day of the Tate Modern Switch House extension. The new ten-story building offers 60% more space and a 360-degree views of the River Thames, St Paul's Cathedral and the dramatic London skyline.  London, UK. Photo credit: Ray Tang/LNP
    LNP_TATEMODERN_PUBLIC_EXTENSION_08.JPG
  • © Licensed to London News Pictures. 17/06/2016. The first member of the public in the queue, Ray Cunnick aged 65 is greeted by Frances Morris, director of the Tate Modern on the first public opening day of the Tate Modern Switch House extension. The new ten-story building offers 60% more space and a 360-degree views of the River Thames, St Paul's Cathedral and the dramatic London skyline.  London, UK. Photo credit: Ray Tang/LNP
    LNP_TATEMODERN_PUBLIC_EXTENSION_07.JPG
  • © Licensed to London News Pictures. 17/06/2016. Visitors queue up on the first public opening day of the Tate Modern Switch House extension. The new ten-story building offers 60% more space and a 360-degree views of the River Thames, St Paul's Cathedral and the dramatic London skyline.  London, UK. Photo credit: Ray Tang/LNP
    LNP_TATEMODERN_PUBLIC_EXTENSION_04.JPG
  • © Licensed to London News Pictures. 17/06/2016. Visitors queue up on the first public opening day of the Tate Modern Switch House extension. The new ten-story building offers 60% more space and a 360-degree views of the River Thames, St Paul's Cathedral and the dramatic London skyline.  London, UK. Photo credit: Ray Tang/LNP
    LNP_TATEMODERN_PUBLIC_EXTENSION_01.JPG
  • © Licensed to London News Pictures. 17/06/2016. Visitors queue up on the first public opening day of the Tate Modern Switch House extension. The new ten-story building offers 60% more space and a 360-degree views of the River Thames, St Paul's Cathedral and the dramatic London skyline.  London, UK. Photo credit: Ray Tang/LNP
    LNP_TATEMODERN_PUBLIC_EXTENSION_06.JPG
  • © Licensed to London News Pictures. 17/06/2016. Visitors queue up on the first public opening day of the Tate Modern Switch House extension. The new ten-story building offers 60% more space and a 360-degree views of the River Thames, St Paul's Cathedral and the dramatic London skyline.  London, UK. Photo credit: Ray Tang/LNP
    LNP_TATEMODERN_PUBLIC_EXTENSION_05.JPG
  • © Licensed to London News Pictures. 17/06/2016. Visitors queue up on the first public opening day of the Tate Modern Switch House extension. The new ten-story building offers 60% more space and a 360-degree views of the River Thames, St Paul's Cathedral and the dramatic London skyline.  London, UK. Photo credit: Ray Tang/LNP
    LNP_TATEMODERN_PUBLIC_EXTENSION_03.JPG
  • © Licensed to London News Pictures. 17/06/2016. Visitors queue up on the first public opening day of the Tate Modern Switch House extension. The new ten-story building offers 60% more space and a 360-degree views of the River Thames, St Paul's Cathedral and the dramatic London skyline.  London, UK. Photo credit: Ray Tang/LNP
    LNP_TATEMODERN_PUBLIC_EXTENSION_02.JPG
  • © Licensed to London News Pictures. 21/06/2016. London, UK.  A projection from the 'Britain Stronger In Europe' campaign is illuminated on The Tate Modern building. Photo credit: Peter Macdiarmid/LNP
    LNP_PM_Stronger_In_ca_007.jpg
  • © Licensed to London News Pictures. 21/06/2016. London, UK.  A projection from the 'Britain Stronger In Europe' campaign is illuminated on The Tate Modern building. Photo credit: Peter Macdiarmid/LNP
    LNP_PM_Stronger_In_ca_006.jpg
  • © Licensed to London News Pictures. 21/06/2016. London, UK.  A projection from the 'Britain Stronger In Europe' campaign is illuminated on The Tate Modern building. Photo credit: Peter Macdiarmid/LNP
    LNP_PM_Stronger_In_ca_005.jpg
  • © Licensed to London News Pictures. 21/06/2016. London, UK.  A projection from the 'Britain Stronger In Europe' campaign is illuminated on The Tate Modern building. Photo credit: Peter Macdiarmid/LNP
    LNP_PM_Stronger_In_ca_004.jpg
  • © Licensed to London News Pictures. 21/06/2016. London, UK.  A projection from the 'Britain Stronger In Europe' campaign is illuminated on The Tate Modern building. Photo credit: Peter Macdiarmid/LNP
    LNP_PM_Stronger_In_ca_003.jpg
  • © Licensed to London News Pictures. 21/06/2016. London, UK.  A projection from the 'Britain Stronger In Europe' campaign is illuminated on The Tate Modern building. Photo credit: Peter Macdiarmid/LNP
    LNP_PM_Stronger_In_ca_002.jpg
  • © Licensed to London News Pictures. 21/06/2016. London, UK.  A projection from the 'Britain Stronger In Europe' campaign is illuminated on The Tate Modern building. Photo credit: Peter Macdiarmid/LNP
    LNP_PM_Stronger_In_ca_001.jpg
  • © Licensed to London News Pictures. 10/03/2020. Gallery staff view a self portrait  artwork,1986, by artist Andy Warhol at an exhibition showing at the Tate Modern. London, UK. Photo credit: Ray Tang/LNP
    LNP_RTG_ANDY_WARHOL_EXHIBITION_TATE_...JPG
  • © Licensed to London News Pictures. 10/03/2020. Gallery staff view artwork titled Maryilyn Diptych, 1962, by artist Andy Warhol at an exhibition showing at the Tate Modern. London, UK. Photo credit: Ray Tang/LNP
    LNP_RTG_ANDY_WARHOL_EXHIBITION_TATE_...JPG
  • © Licensed to London News Pictures. 10/03/2020. Gallery staff view artwork titled Maryilyn Monroe’s Lips, 1962, by artist Andy Warhol at an exhibition showing at the Tate Modern. London, UK. Photo credit: Ray Tang/LNP
    LNP_RTG_ANDY_WARHOL_EXHIBITION_TATE_...JPG
  • © Licensed to London News Pictures. 10/03/2020. Gallery staff view artwork titled Maryilyn Monroe’s Lips, 1962, by artist Andy Warhol at an exhibition showing at the Tate Modern. London, UK. Photo credit: Ray Tang/LNP
    LNP_RTG_ANDY_WARHOL_EXHIBITION_TATE_...JPG
  • © Licensed to London News Pictures. 10/03/2020. Gallery staff interact with an installation artwork titled Silver Clouds, 1994, by artist Andy Warhol at an exhibition showing at the Tate Modern. London, UK. Photo credit: Ray Tang/LNP
    LNP_RTG_ANDY_WARHOL_EXHIBITION_TATE_...JPG
  • © Licensed to London News Pictures. 03/10/2016. Artist Philippe Parreno opens his  Hyundai commission titled 'Anywhere' in the Tate Modern Turbine Hall London, UK. Photo credit: Ray Tang/LNP
    LNP_PHILLIPE_PARRENO_TATEMODERN_RTG_...JPG
  • © Licensed to London News Pictures. 03/10/2016. Hyundai commission titled 'Anywhere' in the Tate Modern Turbine Hall London, UK. Photo credit: Ray Tang/LNP
    LNP_PHILLIPE_PARRENO_TATEMODERN_RTG_...JPG
  • © Licensed to London News Pictures. 03/10/2016. Hyundai commission titled 'Anywhere' in the Tate Modern Turbine Hall London, UK. Photo credit: Ray Tang/LNP
    LNP_PHILLIPE_PARRENO_TATEMODERN_RTG_...JPG
  • © Licensed to London News Pictures. 03/10/2016. Artist Philippe Parreno opens his  Hyundai commission titled 'Anywhere' in the Tate Modern Turbine Hall London, UK. Photo credit: Ray Tang/LNP
    LNP_PHILLIPE_PARRENO_TATEMODERN_RTG_...JPG
  • © Licensed to London News Pictures. 21/06/2016. London, UK.  A projection from the 'Britain Stronger In Europe' campaign is illuminated on The Tate Modern building. Photo credit: Peter Macdiarmid/LNP
    LNP_Remain_Projection_PMA_02.JPG
  • © Licensed to London News Pictures. 21/06/2016. London, UK.  A projection from the 'Britain Stronger In Europe' campaign is illuminated on The Tate Modern building. Photo credit: Peter Macdiarmid/LNP
    LNP_Remain_Projection_PMA_01.JPG
  • © Licensed to London News Pictures. 10/03/2020. Gallery staff view artwork by artist Andy Warhol at an exhibition showing at the Tate Modern. London, UK. Photo credit: Ray Tang/LNP
    LNP_RTG_ANDY_WARHOL_EXHIBITION_TATE_...JPG
  • © Licensed to London News Pictures. 10/03/2020. Gallery staff view a large artwork titled Sixty Last Suppers,1986, by artist Andy Warhol at an exhibition showing at the Tate Modern. London, UK. Photo credit: Ray Tang/LNP
    LNP_RTG_ANDY_WARHOL_EXHIBITION_TATE_...JPG
  • © Licensed to London News Pictures. 10/03/2020. Gallery staff view a self portrait  artwork,1986, by artist Andy Warhol at an exhibition showing at the Tate Modern. London, UK. Photo credit: Ray Tang/LNP
    LNP_RTG_ANDY_WARHOL_EXHIBITION_TATE_...JPG
  • © Licensed to London News Pictures. 10/03/2020. Gallery staff view a self portrait  artwork,1986, by artist Andy Warhol at an exhibition showing at the Tate Modern. London, UK. Photo credit: Ray Tang/LNP
    LNP_RTG_ANDY_WARHOL_EXHIBITION_TATE_...JPG
  • © Licensed to London News Pictures. 10/03/2020. Gallery staff interact with an installation artwork titled Silver Clouds, 1994, by artist Andy Warhol at an exhibition showing at the Tate Modern. London, UK. Photo credit: Ray Tang/LNP
    LNP_RTG_ANDY_WARHOL_EXHIBITION_TATE_...JPG
  • © Licensed to London News Pictures. 03/10/2016. Hyundai commission titled 'Anywhere' in the Tate Modern Turbine Hall London, UK. Photo credit: Ray Tang/LNP
    LNP_PHILLIPE_PARRENO_TATEMODERN_RTG_...JPG
  • © Licensed to London News Pictures. 03/10/2016. Artist Philippe Parreno opens his  Hyundai commission titled 'Anywhere' in the Tate Modern Turbine Hall London, UK. Photo credit: Ray Tang/LNP
    LNP_PHILLIPE_PARRENO_TATEMODERN_RTG_...JPG
  • © Licensed to London News Pictures. 03/10/2016. Artist Philippe Parreno opens his  Hyundai commission titled 'Anywhere' in the Tate Modern Turbine Hall London, UK. Photo credit: Ray Tang/LNP
    LNP_PHILLIPE_PARRENO_TATEMODERN_RTG_...JPG
  • © Licensed to London News Pictures. 03/10/2016. Artist Philippe Parreno opens his  Hyundai commission titled 'Anywhere' in the Tate Modern Turbine Hall London, UK. Photo credit: Ray Tang/LNP
    LNP_PHILLIPE_PARRENO_TATEMODERN_RTG_...JPG
  • © Licensed to London News Pictures. 03/10/2016. Artist Philippe Parreno opens his  Hyundai commission titled 'Anywhere' in the Tate Modern Turbine Hall London, UK. Photo credit: Ray Tang/LNP
    LNP_PHILLIPE_PARRENO_TATEMODERN_RTG_...JPG
  • © Licensed to London News Pictures. 03/10/2016. Artist Philippe Parreno opens his  Hyundai commission titled 'Anywhere' in the Tate Modern Turbine Hall London, UK. Photo credit: Ray Tang/LNP
    LNP_PHILLIPE_PARRENO_TATEMODERN_RTG_...JPG
  • © Licensed to London News Pictures. 03/10/2016. Artist Philippe Parreno opens his  Hyundai commission titled 'Anywhere' in the Tate Modern Turbine Hall London, UK. Photo credit: Ray Tang/LNP
    LNP_PHILLIPE_PARRENO_TATEMODERN_RTG_...JPG
  • © Licensed to London News Pictures. 03/10/2016. Hyundai commission titled 'Anywhere' in the Tate Modern Turbine Hall London, UK. Photo credit: Ray Tang/LNP
    LNP_PHILLIPE_PARRENO_TATEMODERN_RTG_...JPG
  • © Licensed to London News Pictures. 21/06/2016. London, UK.  A projection from the 'Britain Stronger In Europe' campaign is illuminated on The Tate Modern building. Photo credit: Peter Macdiarmid/LNP
    LNP_Remain_Projection_PMA_03.JPG
  • © Licensed to London News Pictures. 22/10/2018. Bristol, UK. Modern Slavery. Avon & Somerset police today launch a new campaign that aims to increase the amount of intelligence they receive on Modern Day Slavery and raise awareness of this form of exploitative crime. The campaign, called #TellUsWhatYouSee, aims to educate the public on the signs and indicators of various forms of modern day slavery, as well as details of how and where to report this information, in order to help police tackle this crime. File picture dated 21/10/2018 of an unofficial guerilla art exhibit that appeared last week in front of a city centre statue of Edward Colston to link Bristol’s slave-trading history with modern-day slavery, and to mark Anti-Slavery Day to raise awareness of and campaign to end modern slavery in the UK. (There is no suggestion that the police are responsible for the art exhibit). The artwork depicts around 100 human figures lying in front of the statue of slave-trader merchant Edward Colston. The figures have been placed in a similar formation to the way millions of people from West Africa were forced to lie on board slave ships sent from Bristol and other English ports to be transported to Bristol business-owned slave plantations in the Caribbean and North America. The outline of the ship was made up of blocks with the kind of professions and jobs now done by modern-day slaves, living and forced to work in Britain in 2018, such as ‘nail bar workers’, ‘sex worker’, ‘car wash attendant’, ‘domestic servant’, ‘fruit picker’, ‘kitchen worker’ and ‘farm worker’. The blocks are all chained together and the ones at the bow of the ship show the words ‘here and now’, with Edward Colston standing as if the ship's captain, gazing down on the bodies lying in rows on deck before him. Photo credit: Simon Chapman/LNP
    LNP_MODERN_SLAVERY_181022_SCH_13.jpg
  • © Licensed to London News Pictures. 22/10/2018. Bristol, UK. Modern Slavery. Avon & Somerset police today launch a new campaign that aims to increase the amount of intelligence they receive on Modern Day Slavery and raise awareness of this form of exploitative crime. The campaign, called #TellUsWhatYouSee, aims to educate the public on the signs and indicators of various forms of modern day slavery, as well as details of how and where to report this information, in order to help police tackle this crime. File picture dated 21/10/2018 of an unofficial guerilla art exhibit that appeared last week in front of a city centre statue of Edward Colston to link Bristol’s slave-trading history with modern-day slavery, and to mark Anti-Slavery Day to raise awareness of and campaign to end modern slavery in the UK. (There is no suggestion that the police are responsible for the art exhibit). The artwork depicts around 100 human figures lying in front of the statue of slave-trader merchant Edward Colston. The figures have been placed in a similar formation to the way millions of people from West Africa were forced to lie on board slave ships sent from Bristol and other English ports to be transported to Bristol business-owned slave plantations in the Caribbean and North America. The outline of the ship was made up of blocks with the kind of professions and jobs now done by modern-day slaves, living and forced to work in Britain in 2018, such as ‘nail bar workers’, ‘sex worker’, ‘car wash attendant’, ‘domestic servant’, ‘fruit picker’, ‘kitchen worker’ and ‘farm worker’. The blocks are all chained together and the ones at the bow of the ship show the words ‘here and now’, with Edward Colston standing as if the ship's captain, gazing down on the bodies lying in rows on deck before him. Photo credit: Simon Chapman/LNP
    LNP_MODERN_SLAVERY_181022_SCH_03.jpg
  • © Licensed to London News Pictures. 22/10/2018. Bristol, UK. Modern Slavery. Avon & Somerset police today launch a new campaign that aims to increase the amount of intelligence they receive on Modern Day Slavery and raise awareness of this form of exploitative crime. The campaign, called #TellUsWhatYouSee, aims to educate the public on the signs and indicators of various forms of modern day slavery, as well as details of how and where to report this information, in order to help police tackle this crime. File picture dated 21/10/2018 of an unofficial guerilla art exhibit that appeared last week in front of a city centre statue of Edward Colston to link Bristol’s slave-trading history with modern-day slavery, and to mark Anti-Slavery Day to raise awareness of and campaign to end modern slavery in the UK. (There is no suggestion that the police are responsible for the art exhibit). The artwork depicts around 100 human figures lying in front of the statue of slave-trader merchant Edward Colston. The figures have been placed in a similar formation to the way millions of people from West Africa were forced to lie on board slave ships sent from Bristol and other English ports to be transported to Bristol business-owned slave plantations in the Caribbean and North America. The outline of the ship was made up of blocks with the kind of professions and jobs now done by modern-day slaves, living and forced to work in Britain in 2018, such as ‘nail bar workers’, ‘sex worker’, ‘car wash attendant’, ‘domestic servant’, ‘fruit picker’, ‘kitchen worker’ and ‘farm worker’. The blocks are all chained together and the ones at the bow of the ship show the words ‘here and now’, with Edward Colston standing as if the ship's captain, gazing down on the bodies lying in rows on deck before him. Photo credit: Simon Chapman/LNP
    LNP_MODERN_SLAVERY_181022_SCH_20.jpg
  • © Licensed to London News Pictures. 22/10/2018. Bristol, UK. Modern Slavery. Avon & Somerset police today launch a new campaign that aims to increase the amount of intelligence they receive on Modern Day Slavery and raise awareness of this form of exploitative crime. The campaign, called #TellUsWhatYouSee, aims to educate the public on the signs and indicators of various forms of modern day slavery, as well as details of how and where to report this information, in order to help police tackle this crime. File picture dated 21/10/2018 of an unofficial guerilla art exhibit that appeared last week in front of a city centre statue of Edward Colston to link Bristol’s slave-trading history with modern-day slavery, and to mark Anti-Slavery Day to raise awareness of and campaign to end modern slavery in the UK. (There is no suggestion that the police are responsible for the art exhibit). The artwork depicts around 100 human figures lying in front of the statue of slave-trader merchant Edward Colston. The figures have been placed in a similar formation to the way millions of people from West Africa were forced to lie on board slave ships sent from Bristol and other English ports to be transported to Bristol business-owned slave plantations in the Caribbean and North America. The outline of the ship was made up of blocks with the kind of professions and jobs now done by modern-day slaves, living and forced to work in Britain in 2018, such as ‘nail bar workers’, ‘sex worker’, ‘car wash attendant’, ‘domestic servant’, ‘fruit picker’, ‘kitchen worker’ and ‘farm worker’. The blocks are all chained together and the ones at the bow of the ship show the words ‘here and now’, with Edward Colston standing as if the ship's captain, gazing down on the bodies lying in rows on deck before him. Photo credit: Simon Chapman/LNP
    LNP_MODERN_SLAVERY_181022_SCH_15.jpg
  • © Licensed to London News Pictures. 22/10/2018. Bristol, UK. Modern Slavery. Avon & Somerset police today launch a new campaign that aims to increase the amount of intelligence they receive on Modern Day Slavery and raise awareness of this form of exploitative crime. The campaign, called #TellUsWhatYouSee, aims to educate the public on the signs and indicators of various forms of modern day slavery, as well as details of how and where to report this information, in order to help police tackle this crime. File picture dated 21/10/2018 of an unofficial guerilla art exhibit that appeared last week in front of a city centre statue of Edward Colston to link Bristol’s slave-trading history with modern-day slavery, and to mark Anti-Slavery Day to raise awareness of and campaign to end modern slavery in the UK. (There is no suggestion that the police are responsible for the art exhibit). The artwork depicts around 100 human figures lying in front of the statue of slave-trader merchant Edward Colston. The figures have been placed in a similar formation to the way millions of people from West Africa were forced to lie on board slave ships sent from Bristol and other English ports to be transported to Bristol business-owned slave plantations in the Caribbean and North America. The outline of the ship was made up of blocks with the kind of professions and jobs now done by modern-day slaves, living and forced to work in Britain in 2018, such as ‘nail bar workers’, ‘sex worker’, ‘car wash attendant’, ‘domestic servant’, ‘fruit picker’, ‘kitchen worker’ and ‘farm worker’. The blocks are all chained together and the ones at the bow of the ship show the words ‘here and now’, with Edward Colston standing as if the ship's captain, gazing down on the bodies lying in rows on deck before him. Photo credit: Simon Chapman/LNP
    LNP_MODERN_SLAVERY_181022_SCH_10.jpg
  • © Licensed to London News Pictures. 22/10/2018. Bristol, UK. Modern Slavery. Avon & Somerset police today launch a new campaign that aims to increase the amount of intelligence they receive on Modern Day Slavery and raise awareness of this form of exploitative crime. The campaign, called #TellUsWhatYouSee, aims to educate the public on the signs and indicators of various forms of modern day slavery, as well as details of how and where to report this information, in order to help police tackle this crime. File picture dated 21/10/2018 of an unofficial guerilla art exhibit that appeared last week in front of a city centre statue of Edward Colston to link Bristol’s slave-trading history with modern-day slavery, and to mark Anti-Slavery Day to raise awareness of and campaign to end modern slavery in the UK. (There is no suggestion that the police are responsible for the art exhibit). The artwork depicts around 100 human figures lying in front of the statue of slave-trader merchant Edward Colston. The figures have been placed in a similar formation to the way millions of people from West Africa were forced to lie on board slave ships sent from Bristol and other English ports to be transported to Bristol business-owned slave plantations in the Caribbean and North America. The outline of the ship was made up of blocks with the kind of professions and jobs now done by modern-day slaves, living and forced to work in Britain in 2018, such as ‘nail bar workers’, ‘sex worker’, ‘car wash attendant’, ‘domestic servant’, ‘fruit picker’, ‘kitchen worker’ and ‘farm worker’. The blocks are all chained together and the ones at the bow of the ship show the words ‘here and now’, with Edward Colston standing as if the ship's captain, gazing down on the bodies lying in rows on deck before him. Photo credit: Simon Chapman/LNP
    LNP_MODERN_SLAVERY_181022_SCH_09.jpg
  • © Licensed to London News Pictures. 22/10/2018. Bristol, UK. Modern Slavery. Avon & Somerset police today launch a new campaign that aims to increase the amount of intelligence they receive on Modern Day Slavery and raise awareness of this form of exploitative crime. The campaign, called #TellUsWhatYouSee, aims to educate the public on the signs and indicators of various forms of modern day slavery, as well as details of how and where to report this information, in order to help police tackle this crime. File picture dated 21/10/2018 of an unofficial guerilla art exhibit that appeared last week in front of a city centre statue of Edward Colston to link Bristol’s slave-trading history with modern-day slavery, and to mark Anti-Slavery Day to raise awareness of and campaign to end modern slavery in the UK. (There is no suggestion that the police are responsible for the art exhibit). The artwork depicts around 100 human figures lying in front of the statue of slave-trader merchant Edward Colston. The figures have been placed in a similar formation to the way millions of people from West Africa were forced to lie on board slave ships sent from Bristol and other English ports to be transported to Bristol business-owned slave plantations in the Caribbean and North America. The outline of the ship was made up of blocks with the kind of professions and jobs now done by modern-day slaves, living and forced to work in Britain in 2018, such as ‘nail bar workers’, ‘sex worker’, ‘car wash attendant’, ‘domestic servant’, ‘fruit picker’, ‘kitchen worker’ and ‘farm worker’. The blocks are all chained together and the ones at the bow of the ship show the words ‘here and now’, with Edward Colston standing as if the ship's captain, gazing down on the bodies lying in rows on deck before him. Photo credit: Simon Chapman/LNP
    LNP_MODERN_SLAVERY_181022_SCH_06.jpg
  • © Licensed to London News Pictures. 22/10/2018. Bristol, UK. Modern Slavery. Avon & Somerset police today launch a new campaign that aims to increase the amount of intelligence they receive on Modern Day Slavery and raise awareness of this form of exploitative crime. The campaign, called #TellUsWhatYouSee, aims to educate the public on the signs and indicators of various forms of modern day slavery, as well as details of how and where to report this information, in order to help police tackle this crime. File picture dated 21/10/2018 of an unofficial guerilla art exhibit that appeared last week in front of a city centre statue of Edward Colston to link Bristol’s slave-trading history with modern-day slavery, and to mark Anti-Slavery Day to raise awareness of and campaign to end modern slavery in the UK. (There is no suggestion that the police are responsible for the art exhibit). The artwork depicts around 100 human figures lying in front of the statue of slave-trader merchant Edward Colston. The figures have been placed in a similar formation to the way millions of people from West Africa were forced to lie on board slave ships sent from Bristol and other English ports to be transported to Bristol business-owned slave plantations in the Caribbean and North America. The outline of the ship was made up of blocks with the kind of professions and jobs now done by modern-day slaves, living and forced to work in Britain in 2018, such as ‘nail bar workers’, ‘sex worker’, ‘car wash attendant’, ‘domestic servant’, ‘fruit picker’, ‘kitchen worker’ and ‘farm worker’. The blocks are all chained together and the ones at the bow of the ship show the words ‘here and now’, with Edward Colston standing as if the ship's captain, gazing down on the bodies lying in rows on deck before him. Photo credit: Simon Chapman/LNP
    LNP_MODERN_SLAVERY_181022_SCH_05.jpg
  • © Licensed to London News Pictures. 22/10/2018. Bristol, UK. Modern Slavery. Avon & Somerset police today launch a new campaign that aims to increase the amount of intelligence they receive on Modern Day Slavery and raise awareness of this form of exploitative crime. The campaign, called #TellUsWhatYouSee, aims to educate the public on the signs and indicators of various forms of modern day slavery, as well as details of how and where to report this information, in order to help police tackle this crime. File picture dated 21/10/2018 of an unofficial guerilla art exhibit that appeared last week in front of a city centre statue of Edward Colston to link Bristol’s slave-trading history with modern-day slavery, and to mark Anti-Slavery Day to raise awareness of and campaign to end modern slavery in the UK. (There is no suggestion that the police are responsible for the art exhibit). The artwork depicts around 100 human figures lying in front of the statue of slave-trader merchant Edward Colston. The figures have been placed in a similar formation to the way millions of people from West Africa were forced to lie on board slave ships sent from Bristol and other English ports to be transported to Bristol business-owned slave plantations in the Caribbean and North America. The outline of the ship was made up of blocks with the kind of professions and jobs now done by modern-day slaves, living and forced to work in Britain in 2018, such as ‘nail bar workers’, ‘sex worker’, ‘car wash attendant’, ‘domestic servant’, ‘fruit picker’, ‘kitchen worker’ and ‘farm worker’. The blocks are all chained together and the ones at the bow of the ship show the words ‘here and now’, with Edward Colston standing as if the ship's captain, gazing down on the bodies lying in rows on deck before him. Photo credit: Simon Chapman/LNP
    LNP_MODERN_SLAVERY_181022_SCH_01.jpg
  • © Licensed to London News Pictures. 22/10/2018. Bristol, UK. Modern Slavery. Avon & Somerset police today launch a new campaign that aims to increase the amount of intelligence they receive on Modern Day Slavery and raise awareness of this form of exploitative crime. The campaign, called #TellUsWhatYouSee, aims to educate the public on the signs and indicators of various forms of modern day slavery, as well as details of how and where to report this information, in order to help police tackle this crime. File picture dated 21/10/2018 of an unofficial guerilla art exhibit that appeared last week in front of a city centre statue of Edward Colston to link Bristol’s slave-trading history with modern-day slavery, and to mark Anti-Slavery Day to raise awareness of and campaign to end modern slavery in the UK. (There is no suggestion that the police are responsible for the art exhibit). The artwork depicts around 100 human figures lying in front of the statue of slave-trader merchant Edward Colston. The figures have been placed in a similar formation to the way millions of people from West Africa were forced to lie on board slave ships sent from Bristol and other English ports to be transported to Bristol business-owned slave plantations in the Caribbean and North America. The outline of the ship was made up of blocks with the kind of professions and jobs now done by modern-day slaves, living and forced to work in Britain in 2018, such as ‘nail bar workers’, ‘sex worker’, ‘car wash attendant’, ‘domestic servant’, ‘fruit picker’, ‘kitchen worker’ and ‘farm worker’. The blocks are all chained together and the ones at the bow of the ship show the words ‘here and now’, with Edward Colston standing as if the ship's captain, gazing down on the bodies lying in rows on deck before him. Photo credit: Simon Chapman/LNP
    LNP_MODERN_SLAVERY_181022_SCH_02.jpg
  • © Licensed to London News Pictures. 14/06/2016. London, UK. From left: Lord Browne, former Chief Executive of BP, Frances Morris, Director of Tate Modern, Mayor of London Sadiq Khan and Ed Vaizey, Minister of State for Culture, Communications and Creative Industries, in front of Ai Wei Wei's 'Tree' in the Turbine Hall of the Tate Modern. The gallery's new ten-storey extension, the Switch House, opens to the public on Friday 17 June 2016. Photo credit: Rob Pinney/LNP
    LNP_TATE_MODERN_SWITCH_HOUSE_RPI_37.jpg
  • © Licensed to London News Pictures. 14/06/2016. London, UK. A woman looks towards the chimney of the Tate Modern from the viewing platform of the Switch House, the new Tate Modern building which opens to the public on Friday 17 June 2016. The ten-storey extension was designed by architects Herzog & de Meuron and includes the world’s first gallery space dedicated exclusively to live art, film and installations. Photo credit: Rob Pinney/LNP
    LNP_TATE_MODERN_SWITCH_HOUSE_RPI_22.jpg
  • © Licensed to London News Pictures. 12/11/2018. London, UK. A staff member looks at “Hughes Henge” by Patrick Hughes (Born 1939) oil on board construction (Estimate £12,000-18,000).<br />
Bonhams Modern British and Irish Art photocall. Auction to be held on 14 November 2018. Photo credit: Dinendra Haria/LNP
    LNP_Modern British and Irish Art_DHA...JPG
  • © Licensed to London News Pictures. 12/11/2018. London, UK. Staff members holds "The Man Behind the Mask", a Henry Moore's masterpiece (British, 1898-1986). (Estimate: £1,000,000-1,500,000). The work is one of 12 known, small carvings by Moore titled Mask, and, uniquely, is the only one carved from alabaster.<br />
Bonhams Modern British and Irish Art photocall. Auction to be held on 14 November 2018. Photo credit: Dinendra Haria/LNP
    LNP_Modern British and Irish Art_DHA...JPG
  • © Licensed to London News Pictures. 12/11/2018. London, UK. A staff member hangs “The Stour, near Sudbury” by Algernon Cecil Newton (1880- 1968) oil on canvas (Estimate £40,000-60,000).<br />
Bonhams Modern British and Irish Art photocall. Auction to be held on 14 November 2018. Photo credit: Dinendra Haria/LNP
    LNP_Modern British and Irish Art_DHA...JPG
  • © Licensed to London News Pictures. 12/11/2018. London, UK. A staff member hangs "The Man Behind the Mask", a Henry Moore's masterpiece (British, 1898-1986). (Estimate: £1,000,000-1,500,000). The work is one of 12 known, small carvings by Moore titled Mask, and, uniquely, is the only one carved from alabaster.<br />
<br />
Bonhams Modern British and Irish Art photocall. Auction to be held on 14 November 2018. Photo credit: Dinendra Haria/LNP
    LNP_Modern British and Irish Art_DHA...JPG
  • © Licensed to London News Pictures. 12/11/2018. London, UK. A member of staff holds "The Man Behind the Mask", a Henry Moore's masterpiece (British, 1898-1986). (Estimate: £1,000,000-1,500,000). The work is one of 12 known, small carvings by Moore titled Mask, and, uniquely, is the only one carved from alabaster.<br />
Bonhams Modern British and Irish Art photocall. Auction to be held on 14 November 2018. Photo credit: Dinendra Haria/LNP
    LNP_Modern British and Irish Art_DHA...JPG
  • © Licensed to London News Pictures. 12/11/2018. London, UK. A staff member looks at “Mincarlo” By Dame Barbara Hepworth (1903- 1975) - polished bronze and string on a slate base (Estimate £80,000-120,000).<br />
<br />
Bonhams Modern British and Irish Art photocall. Auction to be held on 14 November 2018. Photo credit: Dinendra Haria/LNP
    LNP_Modern British and Irish Art_DHA...JPG
  • © Licensed to London News Pictures. 12/11/2018. London, UK. Staff members holds "The Man Behind the Mask", a Henry Moore's masterpiece (British, 1898-1986). (Estimate: £1,000,000-1,500,000). The work is one of 12 known, small carvings by Moore titled Mask, and, uniquely, is the only one carved from alabaster.<br />
Bonhams Modern British and Irish Art photocall. Auction to be held on 14 November 2018. Photo credit: Dinendra Haria/LNP
    LNP_Modern British and Irish Art_DHA...JPG
  • © Licensed to London News Pictures. 12/11/2018. London, UK. A staff member holds "The Man Behind the Mask", a Henry Moore's masterpiece (British, 1898-1986). (Estimate: £1,000,000-1,500,000). The work is one of 12 known, small carvings by Moore titled Mask, and, uniquely, is the only one carved from alabaster.<br />
Bonhams Modern British and Irish Art photocall. Auction to be held on 14 November 2018. Photo credit: Dinendra Haria/LNP
    LNP_Modern British and Irish Art_DHA...JPG
  • © Licensed to London News Pictures. 12/11/2018. London, UK. Staff members holds "The Man Behind the Mask", a Henry Moore's masterpiece (British, 1898-1986). (Estimate: £1,000,000-1,500,000). The work is one of 12 known, small carvings by Moore titled Mask, and, uniquely, is the only one carved from alabaster.<br />
Bonhams Modern British and Irish Art photocall. Auction to be held on 14 November 2018. Photo credit: Dinendra Haria/LNP
    LNP_Modern British and Irish Art_DHA...JPG
  • © Licensed to London News Pictures. 12/11/2018. London, UK. Staff members holds "The Man Behind the Mask", a Henry Moore's masterpiece (British, 1898-1986). (Estimate: £1,000,000-1,500,000). The work is one of 12 known, small carvings by Moore titled Mask, and, uniquely, is the only one carved from alabaster.<br />
Bonhams Modern British and Irish Art photocall. Auction to be held on 14 November 2018. Photo credit: Dinendra Haria/LNP
    LNP_Modern British and Irish Art_DHA...JPG
  • © Licensed to London News Pictures. 12/11/2018. London, UK. A staff member hangs "The Man Behind the Mask", a Henry Moore's masterpiece (British, 1898-1986). (Estimate: £1,000,000-1,500,000). The work is one of 12 known, small carvings by Moore titled Mask, and, uniquely, is the only one carved from alabaster.<br />
<br />
Bonhams Modern British and Irish Art photocall. Auction to be held on 14 November 2018. Photo credit: Dinendra Haria/LNP
    LNP_Modern British and Irish Art_DHA...JPG
  • © Licensed to London News Pictures. 12/11/2018. London, UK. A staff member hangs "The Man Behind the Mask", a Henry Moore's masterpiece (British, 1898-1986). (Estimate: £1,000,000-1,500,000). The work is one of 12 known, small carvings by Moore titled Mask, and, uniquely, is the only one carved from alabaster.<br />
<br />
Bonhams Modern British and Irish Art photocall. Auction to be held on 14 November 2018. Photo credit: Dinendra Haria/LNP
    LNP_Modern British and Irish Art_DHA...JPG
  • © Licensed to London News Pictures. 12/11/2018. London, UK. Staff members looks at “Rounders” oil on panel by Laurence Stephen Lowry R.A. (British, 1887-1976). (Estimate £400,000-600,000).<br />
Bonhams Modern British and Irish Art photocall. Auction to be held on 14 November 2018. Photo credit: Dinendra Haria/LNP
    LNP_Modern British and Irish Art_DHA...JPG
  • © Licensed to London News Pictures. 12/11/2018. London, UK. A member of staff looks at "Head", conceived in 1967 by Dame Elisabeth Frink R.A. (British, 1930-1993) signed and numbered 'Frink 3/6' (at the base of the neck)<br />
bronze with a brown patina and polished goggles - (Estimate £100,000-150,000).<br />
<br />
Bonhams Modern British and Irish Art photocall. Auction to be held on 14 November 2018. Photo credit: Dinendra Haria/LNP
    LNP_Modern British and Irish Art_DHA...JPG
  • © Licensed to London News Pictures. 12/11/2018. London, UK. A staff member hangs “Rounders” oil on panel by Laurence Stephen Lowry R.A. (British, 1887-1976). (Estimate £400,000-600,000).<br />
Bonhams Modern British and Irish Art photocall. Auction to be held on 14 November 2018. Photo credit: Dinendra Haria/LNP
    LNP_Modern British and Irish Art_DHA...JPG
  • © Licensed to London News Pictures. 24/07/2020. LONDON, UK. Maria Balshaw (L), Director Tate, and Frances Morris, Director Tate Modern, wearing facemasks pose next to "Fons Americanus", 2019, by Kara Walker. Press preview ahead of the reopening of Tate Modern on 27 July after the easing of coronavirus pandemic lockdown restrictions by the UK government.  Visitors will need to book timed tickets online and follow one-way routes around the gallery space along with observing social distancing rules.  Photo credit: Stephen Chung/LNP
    LNP_TATE_MODERN_REOPENS_SCU_12.JPG
  • © Licensed to London News Pictures. 26/07/2019. LONDON, UK. Willow Beal, aged 5 (L), and Hunter Tagholm (R), aged 8, pose with a Lego crown at the preview of "The cubic structural evolution project", 2004, by Olafur Eliasson at Tate Modern.  Exhibited for the first time in the UK, the artwork comprises one tonne of white Lego bricks inspiring visitors to create their own architectural vision for a future city and is on display until 18 August 2019.  The work coincides with the artist's new retrospective exhibition "In real life" at Tate Modern on display to 5 January 2020. (Parental permission to photograph obtained). Photo credit: Stephen Chung/LNP
    LNP_TATE_MODERN_LEGO_SCU_10.JPG
  • © Licensed to London News Pictures. 26/07/2019. LONDON, UK. Willow Beal, aged 5, poses with a Lego crown at the preview of "The cubic structural evolution project", 2004, by Olafur Eliasson at Tate Modern.  Exhibited for the first time in the UK, the artwork comprises one tonne of white Lego bricks inspiring visitors to create their own architectural vision for a future city and is on display until 18 August 2019.  The work coincides with the artist's new retrospective exhibition "In real life" at Tate Modern on display to 5 January 2020. (Parental permission to photograph obtained). Photo credit: Stephen Chung/LNP
    LNP_TATE_MODERN_LEGO_SCU_08.JPG
  • © Licensed to London News Pictures. 26/07/2019. LONDON, UK. (C) Margot Cartwright-Naylor, aged 4, and her sister Stella, aged 11, work with Lego at the preview of "The cubic structural evolution project", 2004, by Olafur Eliasson at Tate Modern.  Exhibited for the first time in the UK, the artwork comprises one tonne of white Lego bricks inspiring visitors to create their own architectural vision for a future city and is on display until 18 August 2019.  The work coincides with the artist's new retrospective exhibition "In real life" at Tate Modern on display to 5 January 2020.  Photo credit: Stephen Chung/LNP
    LNP_TATE_MODERN_LEGO_SCU_09.JPG
  • © Licensed to London News Pictures. 26/07/2019. LONDON, UK.  A visitor works with Lego at the preview of "The cubic structural evolution project", 2004, by Olafur Eliasson at Tate Modern.  Exhibited for the first time in the UK, the artwork comprises one tonne of white Lego bricks inspiring visitors to create their own architectural vision for a future city and is on display until 18 August 2019.  The work coincides with the artist's new retrospective exhibition "In real life" at Tate Modern on display to 5 January 2020.  Photo credit: Stephen Chung/LNP
    LNP_TATE_MODERN_LEGO_SCU_01.JPG
  • © Licensed to London News Pictures. 26/07/2019. LONDON, UK. Hunter Tagholm, aged 8 (L), and Willow Beal, aged 5 (R), pose with a Lego crown at the preview of "The cubic structural evolution project", 2004, by Olafur Eliasson at Tate Modern.  Exhibited for the first time in the UK, the artwork comprises one tonne of white Lego bricks inspiring visitors to create their own architectural vision for a future city and is on display until 18 August 2019.  The work coincides with the artist's new retrospective exhibition "In real life" at Tate Modern on display to 5 January 2020. (Parental permission to photograph obtained). Photo credit: Stephen Chung/LNP
    LNP_TATE_MODERN_LEGO_SCU_13.JPG
  • © Licensed to London News Pictures. 26/07/2019. LONDON, UK. Hunter Tagholm, aged 8 (L), and Willow Beal, aged 5 (R), pose with a Lego crown at the preview of "The cubic structural evolution project", 2004, by Olafur Eliasson at Tate Modern.  Exhibited for the first time in the UK, the artwork comprises one tonne of white Lego bricks inspiring visitors to create their own architectural vision for a future city and is on display until 18 August 2019.  The work coincides with the artist's new retrospective exhibition "In real life" at Tate Modern on display to 5 January 2020. (Parental permission to photograph obtained). Photo credit: Stephen Chung/LNP
    LNP_TATE_MODERN_LEGO_SCU_12.JPG
  • © Licensed to London News Pictures. 26/07/2019. LONDON, UK. Willow Beal, aged 5, poses with a Lego crown at the preview of "The cubic structural evolution project", 2004, by Olafur Eliasson at Tate Modern.  Exhibited for the first time in the UK, the artwork comprises one tonne of white Lego bricks inspiring visitors to create their own architectural vision for a future city and is on display until 18 August 2019.  The work coincides with the artist's new retrospective exhibition "In real life" at Tate Modern on display to 5 January 2020. (Parental permission to photograph obtained). Photo credit: Stephen Chung/LNP
    LNP_TATE_MODERN_LEGO_SCU_08.JPG
  • © Licensed to London News Pictures. 26/07/2019. LONDON, UK. Willow Beal, aged 5, and her mother work with Lego at the preview of "The cubic structural evolution project", 2004, by Olafur Eliasson at Tate Modern.  Exhibited for the first time in the UK, the artwork comprises one tonne of white Lego bricks inspiring visitors to create their own architectural vision for a future city and is on display until 18 August 2019.  The work coincides with the artist's new retrospective exhibition "In real life" at Tate Modern on display to 5 January 2020.  Photo credit: Stephen Chung/LNP
    LNP_TATE_MODERN_LEGO_SCU_07.JPG
  • © Licensed to London News Pictures. 26/07/2019. LONDON, UK. Visitors work with Lego at the preview of "The cubic structural evolution project", 2004, by Olafur Eliasson at Tate Modern.  Exhibited for the first time in the UK, the artwork comprises one tonne of white Lego bricks inspiring visitors to create their own architectural vision for a future city and is on display until 18 August 2019.  The work coincides with the artist's new retrospective exhibition "In real life" at Tate Modern on display to 5 January 2020.  Photo credit: Stephen Chung/LNP
    LNP_TATE_MODERN_LEGO_SCU_06.JPG
  • © Licensed to London News Pictures. 26/07/2019. LONDON, UK. Daisy Lenkiewicz, aged 6, and her father Simon work with Lego at the preview of "The cubic structural evolution project", 2004, by Olafur Eliasson at Tate Modern.  Exhibited for the first time in the UK, the artwork comprises one tonne of white Lego bricks inspiring visitors to create their own architectural vision for a future city and is on display until 18 August 2019.  The work coincides with the artist's new retrospective exhibition "In real life" at Tate Modern on display to 5 January 2020.  Photo credit: Stephen Chung/LNP
    LNP_TATE_MODERN_LEGO_SCU_05.JPG
  • © Licensed to London News Pictures. 26/07/2019. LONDON, UK. Visitors work with Lego at the preview of "The cubic structural evolution project", 2004, by Olafur Eliasson at Tate Modern.  Exhibited for the first time in the UK, the artwork comprises one tonne of white Lego bricks inspiring visitors to create their own architectural vision for a future city and is on display until 18 August 2019.  The work coincides with the artist's new retrospective exhibition "In real life" at Tate Modern on display to 5 January 2020.  Photo credit: Stephen Chung/LNP
    LNP_TATE_MODERN_LEGO_SCU_04.JPG
  • © Licensed to London News Pictures. 26/07/2019. LONDON, UK. Margot Cartwright-Naylor, aged 4, and her mother work with Lego at the preview of "The cubic structural evolution project", 2004, by Olafur Eliasson at Tate Modern.  Exhibited for the first time in the UK, the artwork comprises one tonne of white Lego bricks inspiring visitors to create their own architectural vision for a future city and is on display until 18 August 2019.  The work coincides with the artist's new retrospective exhibition "In real life" at Tate Modern on display to 5 January 2020.  Photo credit: Stephen Chung/LNP
    LNP_TATE_MODERN_LEGO_SCU_02.JPG
  • © Licensed to London News Pictures. 14/06/2016. London, UK. Ed Vaizey, Minister of State for Culture,  Communications and Creative Industries, speaks at a press conference at the launch of the Switch House, the new Tate Modern building which opens to the public on Friday 17 June 2016. The ten-storey extension was designed by architects Herzog & de Meuron and includes the world’s first gallery space dedicated exclusively to live art, film and installations. Photo credit: Rob Pinney/LNP
    LNP_TATE_MODERN_SWITCH_HOUSE_RPI_32.jpg
  • © Licensed to London News Pictures. 14/06/2016. London, UK. Ed Vaizey, Minister of State for Culture,  Communications and Creative Industries, speaks at a press conference at the launch of the Switch House, the new Tate Modern building which opens to the public on Friday 17 June 2016. The ten-storey extension was designed by architects Herzog & de Meuron and includes the world’s first gallery space dedicated exclusively to live art, film and installations. Photo credit: Rob Pinney/LNP
    LNP_TATE_MODERN_SWITCH_HOUSE_RPI_31.jpg
  • © Licensed to London News Pictures. 14/06/2016. London, UK. Mayor of London Sadiq Khan and Sir Nicholas Serota, Director of the Tate Galleries, visit the viewing platform of the Switch House, the new Tate Modern building which opens to the public on Friday 17 June 2016. The ten-storey extension was designed by architects Herzog & de Meuron and includes the world’s first gallery space dedicated exclusively to live art, film and installations. Photo credit: Rob Pinney/LNP
    LNP_TATE_MODERN_SWITCH_HOUSE_RPI_21.jpg
  • © Licensed to London News Pictures. 14/06/2016. London, UK. Performance artists display their work in the Switch House, the new Tate Modern building which opens to the public on Friday 17 June 2016. The ten-storey extension was designed by architects Herzog & de Meuron and includes the world’s first gallery space dedicated exclusively to live art, film and installations. Photo credit: Rob Pinney/LNP
    LNP_TATE_MODERN_SWITCH_HOUSE_RPI_19.jpg
  • © Licensed to London News Pictures. 14/06/2016. London, UK. A young woman walks past an installation in the Switch House, the new Tate Modern building which opens to the public on Friday 17 June 2016. The ten-storey extension was designed by architects Herzog & de Meuron and includes the world’s first gallery space dedicated exclusively to live art, film and installations. Photo credit: Rob Pinney/LNP
    LNP_TATE_MODERN_SWITCH_HOUSE_RPI_18.jpg
  • © Licensed to London News Pictures. 14/06/2016. London, UK. A woman takes a photograph of 'The Passing Winter' by Yayoi Kusama, on display in the Switch House, the new Tate Modern building which opens to the public on Friday 17 June 2016. The ten-storey extension was designed by architects Herzog & de Meuron and includes the world’s first gallery space dedicated exclusively to live art, film and installations. Photo credit: Rob Pinney/LNP
    LNP_TATE_MODERN_SWITCH_HOUSE_RPI_17.jpg
  • © Licensed to London News Pictures. 14/06/2016. London, UK. A woman walks across a large rubber street map of Beirut installed in the Switch House, the new Tate Modern building which opens to the public on Friday 17 June 2016. The ten-storey extension was designed by architects Herzog & de Meuron and includes the world’s first gallery space dedicated exclusively to live art, film and installations. Photo credit: Rob Pinney/LNP
    LNP_TATE_MODERN_SWITCH_HOUSE_RPI_16.jpg
  • © Licensed to London News Pictures. 14/06/2016. London, UK. Two men take in the view from the top floor of the Switch House, the new Tate Modern building which opens to the public on Friday 17 June 2016. The ten-storey extension was designed by architects Herzog & de Meuron and includes the world’s first gallery space dedicated exclusively to live art, film and installations. Photo credit: Rob Pinney/LNP
    LNP_TATE_MODERN_SWITCH_HOUSE_RPI_15.jpg
  • © Licensed to London News Pictures. 14/06/2016. London, UK. Figures hang from the ceiling of the Louise Bourgeois Artist Rooms in the Switch House, the new Tate Modern building which opens to the public on Friday 17 June 2016. The ten-storey extension was designed by architects Herzog & de Meuron and includes the world’s first gallery space dedicated exclusively to live art, film and installations. Photo credit: Rob Pinney/LNP
    LNP_TATE_MODERN_SWITCH_HOUSE_RPI_14.jpg
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