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  • © Licensed to London News Pictures. 20/09/2012. London, UK. Ockham's Razor and Turtle Key Arts present the World Premier of 'Not Until We Are Lost, at the Artsdepot, North Finchley, London. Picture features: (L-R) Alex Harvey, Charlotte Mooney and Luke Horley. Photo credit: Tony Nandi/LNP
    LNP_Not_Until_We_Are_Lost_TNA_08.jpg
  • © Licensed to London News Pictures. 20/09/2012. London, UK. Ockham's Razor and Turtle Key Arts present the World Premier of 'Not Until We Are Lost, at the Artsdepot, North Finchley, London. Picture features: Haike Irina Amelia Stollbrock, Alex Harvey, Charlotte Mooney and Luke Horley. Photo credit: Tony Nandi/LNP
    LNP_Not_Until_We_Are_Lost_TNA_07.jpg
  • © Licensed to London News Pictures. 20/09/2012. London, UK. Ockham's Razor and Turtle Key Arts present the World Premier of 'Not Until We Are Lost, at the Artsdepot, North Finchley, London. Picture features: Haike Irina Amelia Stollbrock, Alex Harvey, Charlotte Mooney and Luke Horley. Photo credit: Tony Nandi/LNP
    LNP_Not_Until_We_Are_Lost_TNA_06.jpg
  • © Licensed to London News Pictures. 20/09/2012. London, UK. Ockham's Razor and Turtle Key Arts present the World Premier of 'Not Until We Are Lost, at the Artsdepot, North Finchley, London. Picture features: Haike Irina Amelia Stollbrock, Alex Harvey, Charlotte Mooney and Luke Horley. Photo credit: Tony Nandi/LNP
    LNP_Not_Until_We_Are_Lost_TNA_05.jpg
  • © Licensed to London News Pictures. 20/09/2012. London, UK. Ockham's Razor and Turtle Key Arts present the World Premier of 'Not Until We Are Lost, at the Artsdepot, North Finchley, London. Picture features:  Haike Irina Amelia Stollbrock & Luke Horley. Photo credit: Tony Nandi/LNP
    LNP_Not_Until_We_Are_Lost_TNA_04.jpg
  • © Licensed to London News Pictures. 20/09/2012. London, UK. Ockham's Razor and Turtle Key Arts present the World Premier of 'Not Until We Are Lost, at the Artsdepot, North Finchley, London. Picture features: Haike Irina Amelia Stollbrock, Alex Harvey, Charlotte Mooney and Luke Horley. Photo credit: Tony Nandi/LNP
    LNP_Not_Until_We_Are_Lost_TNA_03.jpg
  • © Licensed to London News Pictures. 20/09/2012. London, UK. Ockham's Razor and Turtle Key Arts present the World Premier of 'Not Until We Are Lost, at the Artsdepot, North Finchley, London. Picture features:  (Top-Bottom) Haike Irina Amelia Stollbrock, Alex Harvey, Charlotte Mooney and Luke Horley. Photo credit: Tony Nandi/LNP
    LNP_Not_Until_We_Are_Lost_TNA_02.jpg
  • © Licensed to London News Pictures. 20/09/2012. London, UK. Ockham's Razor and Turtle Key Arts present the World Premier of 'Not Until We Are Lost, at the Artsdepot, North Finchley, London. Picture features:  Haike Irina Amelia Stollbrock & Luke Horley. Photo credit: Tony Nandi/LNP
    LNP_Not_Until_We_Are_Lost_TNA_01.jpg
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_31.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_29.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_30.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_2.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_3.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_4.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_5.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_6.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_7.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_8.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_9.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_10.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_11.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_12.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_13.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_14.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_15.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_16.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_17.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_18.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_19.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_20.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_21.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_22.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_23.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_24.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_25.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_26.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_1.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_27.JPG
  • **VIDEO AVAILABLE** © London News Pictures. 13/03/2016 Borth, Wales, UK.   After a series of intense winter storms, and at very low tide, the eerie remains of the ‘lost’ bronze age oak forest appear along the beach at Borth, just north of Aberystwyth on the west Wales coast. The trees give some credence to the enduring legend of the ’sunken kingdom’ of Cantre’r Gwaelod that according to legend was lost under the waters of Cardigan Bay. Much more of the sand that has usually covered the stumps of these ancient trees has been washed way over the winter, and there is some concern locally that the recently completed multi-million pound sea defence scheme to protect the low lying village is exacerbating the situation, and possibly threatening  the continuing  preservation of the forest. Photo credit: Keith Morris/LNP
    LNP_Borth_Forest_KMO_28.JPG
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported by barge across Plymouth Sound before being installed at the Theatre Royal in Plymouth City Centre. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_2...jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported by barge across Plymouth Sound before being installed at the Theatre Royal in Plymouth City Centre. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_2...jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_001.jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported through Plymouth city centre before being installed at the Theatre Royal in Plymouth City Centre. It was brought into Plymouth by barge across Plymouth Sound. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_4...jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported through Plymouth city centre before being installed at the Theatre Royal in Plymouth City Centre. It was brought into Plymouth by barge across Plymouth Sound. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_4...jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported through Plymouth city centre before being installed at the Theatre Royal in Plymouth City Centre. It was brought into Plymouth by barge across Plymouth Sound. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_3...jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported through Plymouth city centre before being installed at the Theatre Royal in Plymouth City Centre. It was brought into Plymouth by barge across Plymouth Sound. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_3...jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported through Plymouth city centre before being installed at the Theatre Royal in Plymouth City Centre. It was brought into Plymouth by barge across Plymouth Sound. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_3...jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported through Plymouth city centre before being installed at the Theatre Royal in Plymouth City Centre. It was brought into Plymouth by barge across Plymouth Sound. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_2...jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported through Plymouth city centre before being installed at the Theatre Royal in Plymouth City Centre. It was brought into Plymouth by barge across Plymouth Sound. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_3...jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported by barge across Plymouth Sound before being installed at the Theatre Royal in Plymouth City Centre. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_2...jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported by barge across Plymouth Sound before being installed at the Theatre Royal in Plymouth City Centre. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_2...jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported by barge across Plymouth Sound before being installed at the Theatre Royal in Plymouth City Centre. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_2...jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported by barge across Plymouth Sound before being installed at the Theatre Royal in Plymouth City Centre. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_2...jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported by barge across Plymouth Sound before being installed at the Theatre Royal in Plymouth City Centre. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_2...jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported by barge across Plymouth Sound before being installed at the Theatre Royal in Plymouth City Centre. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_1...jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported by barge across Plymouth Sound before being installed at the Theatre Royal in Plymouth City Centre. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_1...jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported by barge across Plymouth Sound before being installed at the Theatre Royal in Plymouth City Centre. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_1...jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported by barge across Plymouth Sound before being installed at the Theatre Royal in Plymouth City Centre. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_1...jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported by barge across Plymouth Sound before being installed at the Theatre Royal in Plymouth City Centre. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_1...jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported by barge across Plymouth Sound before being installed at the Theatre Royal in Plymouth City Centre. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_1...jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported by barge across Plymouth Sound before being installed at the Theatre Royal in Plymouth City Centre. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_0...jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported by barge across Plymouth Sound before being installed at the Theatre Royal in Plymouth City Centre. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_0...jpg
  • © Licensed to London News Pictures. 18/03/2019. Plymouth, Devon, UK. “Messenger”, the largest bronze sculpture ever to be cast in the UK, is transported by barge across Plymouth Sound before being installed at the Theatre Royal in Plymouth City Centre. Weighing in at nine and a half tonnes with a height of seven metres (23ft) and nine metres (30ft) wide, with a volume of 25.6 metres cubed, “Messenger” will be the size of two double decker buses and is the largest lost-wax cast bronze sculpture ever to be cast in the UK, a painstaking process that has taken over two years. “Messenger” is the work of the acclaimed sculptor Joseph Hillier and has been created using 3D scans from the body of a young actor in mid-performance in Theatre Royal Plymouth and Frantic Assembly’s production of Othello in 2014. A monument to the physical expression of theatre, “Messenger” is a movement suspended in time that embodies the energy and creativity at the heart of the Theatre Royal and cultural life in Plymouth and aims to celebrate creativity as a dynamic catalyst for change. Plymouth is undergoing massive regeneration and the installation of the sculpture is is a prelude to the Mayflower 2020 celebrations. Messenger was cast at the Castle Fine Arts Foundry in the Welsh village of Llanrhaeadr-Ym-Mochnant, using the ancient technique of lost wax casting. Made from over 200 bronze panels, each section of the sculpture was cast individually before being welded together by over 30 master craftsmen at the foundry. Photo credit: Simon Chapman/LNP
    LNP_MESSENGER_SCULPTURE_190318_SCH_0...jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_012.jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. Charlotte Mooney and Alex Harvey. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_011.jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_010.jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_009.jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. L-R: Tina Koch, Charlotte Mooney, Alex Harvey and Luke Horley. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_008.jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. L-R: Charlotte Mooney, Luke Horley and Alex Harvey. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_006.jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. L-R: Charlotte Mooney, Luke Horley and Alex Harvey. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_007.jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. L-R: Charlotte Mooney, Luke Horley and Alex Harvey. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_005.jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_004.jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. L-R: Alex Harvey, Charlotte Mooney and Luke Horley. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_003.jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_002.jpg
  • © Licensed to London News Pictures. 22/3/14 London, UK.   The War on Drugs performing live at Corsica Studios. In this picture - Adam Granduciel.  The War on Drugs this week enjoyed excellent reviews for their third album "Lost in the Dream" released this week and are due to tour the UK in May.  Pitchfork rated the album 8.8/10; The Guardian reviewed the album 4/5; NME rated the album 9/10;  Drowned in Sound rated the album 8/10.   FILE IMAGE TAKEN 27/9/11.  The War on Drugs are a rock band comprising of members Adam Granduciel, David Hartley, Robbie Bennett, Patrick Berkery.  Photo credit : Richard Isaac/LNP
    LNP_The_War_On_Drugs_concert_Corsica...JPG
  • © Licensed to London News Pictures. 22/3/14 London, UK.   The War on Drugs performing live at Corsica Studios. In this picture - Adam Granduciel.  The War on Drugs this week enjoyed excellent reviews for their third album "Lost in the Dream" released this week and are due to tour the UK in May.  Pitchfork rated the album 8.8/10; The Guardian reviewed the album 4/5; NME rated the album 9/10;  Drowned in Sound rated the album 8/10.   FILE IMAGE TAKEN 27/9/11.  The War on Drugs are a rock band comprising of members Adam Granduciel, David Hartley, Robbie Bennett, Patrick Berkery.  Photo credit : Richard Isaac/LNP
    LNP_The_War_On_Drugs_concert_Corsica...JPG
  • © Licensed to London News Pictures. 22/3/14 London, UK.   The War on Drugs performing live at Corsica Studios. In this picture - Adam Granduciel.  The War on Drugs this week enjoyed excellent reviews for their third album "Lost in the Dream" released this week and are due to tour the UK in May.  Pitchfork rated the album 8.8/10; The Guardian reviewed the album 4/5; NME rated the album 9/10;  Drowned in Sound rated the album 8/10.   FILE IMAGE TAKEN 27/9/11.  The War on Drugs are a rock band comprising of members Adam Granduciel, David Hartley, Robbie Bennett, Patrick Berkery.  Photo credit : Richard Isaac/LNP
    LNP_The_War_On_Drugs_concert_Corsica...JPG
  • © Licensed to London News Pictures. 22/3/14 London, UK.   The War on Drugs performing live at Corsica Studios. In this picture - Adam Granduciel.  The War on Drugs this week enjoyed excellent reviews for their third album "Lost in the Dream" released this week and are due to tour the UK in May.  Pitchfork rated the album 8.8/10; The Guardian reviewed the album 4/5; NME rated the album 9/10;  Drowned in Sound rated the album 8/10.   FILE IMAGE TAKEN 27/9/11.  The War on Drugs are a rock band comprising of members Adam Granduciel, David Hartley, Robbie Bennett, Patrick Berkery.  Photo credit : Richard Isaac/LNP
    LNP_The_War_On_Drugs_concert_Corsica...JPG
  • © Licensed to London News Pictures. 10/03/2011. London, UK. FILE PICTURE  Golden Globe Award winner Alex Ebert - who won the award for Best Original Score at the awards on Monday for the film All Is Lost - performing with his band Edward Sharpe and the Magnetic Zeroes at The Old Vic Tunnels 10 March 2011.   The band are due to start a major European Tour culminating in their biggest UK show to date at London's Brixton Academy.  Photo credit : Richard Isaac/LNP
    LNP_Edward_Sharpe_Alex_Ebert_RIS_003.JPG
  • © Licensed to London News Pictures. 10/03/2011. London, UK. FILE PICTURE  Golden Globe Award winner Alex Ebert - who won the award for Best Original Score at the awards on Monday for the film All Is Lost - performing with his band Edward Sharpe and the Magnetic Zeroes at The Old Vic Tunnels 10 March 2011.   The band are due to start a major European Tour culminating in their biggest UK show to date at London's Brixton Academy.  Photo credit : Richard Isaac/LNP
    LNP_Edward_Sharpe_Alex_Ebert_RIS_001.JPG
  • © Licensed to London News Pictures. 10/03/2011. London, UK. FILE PICTURE  Golden Globe Award winner Alex Ebert - who won the award for Best Original Score at the awards on Monday for the film All Is Lost - performing with his band Edward Sharpe and the Magnetic Zeroes at The Old Vic Tunnels 10 March 2011.   The band are due to start a major European Tour culminating in their biggest UK show to date at London's Brixton Academy.  Photo credit : Richard Isaac/LNP
    LNP_Edward_Sharpe_Alex_Ebert_RIS_002.JPG
  • © Licensed to London News Pictures. 23/04/2012. London, England. Representatives of Deafinitely Theatre Company perform a British Sign Language version of Love's Labours Lost. The Globe to Globe Season begins at the Shakespeare's Globe Theatre with where 37 Shakespeare plays will be performed in 37 different languages.  Photo credit: Bettina Strenske/LNP
    LNP_GlobeFestival_BST_007.jpg
  • ©London News pictures... 17/11/2010. The River Fowey burst its banks at Lost Withiel in Cornwall. today (Wednesday). Some people have been left trapped in their cars and homes in parts of Cornwall as heavy rain and gale-force winds caused flooding and disruption.
    LNP_CORNWALL_FLOOD_MBO_019.JPG
  • ©London News pictures... 17/11/2010. Flotsam against 'The Old Bridge' A couple abandon their car is rising flood water. The River Fowey burst its banks at Lost Withiel in Cornwall. today (Wednesday). Some people have been left trapped in their cars and homes in parts of Cornwall as heavy rain and gale-force winds caused flooding and disruption.
    LNP_CORNWALL_FLOOD_MBO_018.JPG
  • ©London News pictures... 17/11/2010. Two girls make their way through the water.A couple abandon their car is rising flood water. The River Fowey burst its banks at Lost Withiel in Cornwall. today (Wednesday). Some people have been left trapped in their cars and homes in parts of Cornwall as heavy rain and gale-force winds caused flooding and disruption.
    LNP_CORNWALL_FLOOD_MBO_017.JPG
  • ©London News pictures... 17/11/2010. Search and rescue teams . The River Fowey burst its banks at Lost Withiel in Cornwall. today (Wednesday). Some people have been left trapped in their cars and homes in parts of Cornwall as heavy rain and gale-force winds caused flooding and disruption.
    LNP_CORNWALL_FLOOD_MBO_016.JPG
  • ©London News pictures... 17/11/2010. Police close 'The Old Bridge' . The River Fowey burst its banks at Lost Withiel in Cornwall. today (Wednesday). Some people have been left trapped in their cars and homes in parts of Cornwall as heavy rain and gale-force winds caused flooding and disruption.
    LNP_CORNWALL_FLOOD_MBO_015.JPG
  • ©London News pictures... 17/11/2010. A member of the search and rescue watches the rising flood water. The River Fowey burst its banks at Lost Withiel in Cornwall. today (Wednesday). Some people have been left trapped in their cars and homes in parts of Cornwall as heavy rain and gale-force winds caused flooding and disruption.
    LNP_CORNWALL_FLOOD_MBO_014.JPG
  • ©London News pictures... 17/11/2010. A group of children walk through the water. The River Fowey burst its banks at Lost Withiel in Cornwall. today (Wednesday). Some people have been left trapped in their cars and homes in parts of Cornwall as heavy rain and gale-force winds caused flooding and disruption.
    LNP_Cornwall_floods_MBO_07.JPG
  • ©London News pictures... 17/11/2010. A group of children walk through the water. The River Fowey burst its banks at Lost Withiel in Cornwall. today (Wednesday). Some people have been left trapped in their cars and homes in parts of Cornwall as heavy rain and gale-force winds caused flooding and disruption.
    LNP_Cornwall_floods_MBO_06.JPG
  • ©London News pictures... 17/11/2010. A group of children walk through the water. The River Fowey burst its banks at Lost Withiel in Cornwall. today (Wednesday). Some people have been left trapped in their cars and homes in parts of Cornwall as heavy rain and gale-force winds caused flooding and disruption.
    LNP_Cornwall_floods_MBO_05.JPG
  • ©London News pictures... 17/11/2010. A man watches the rising flood water. The River Fowey burst its banks at Lost Withiel in Cornwall. today (Wednesday). Some people have been left trapped in their cars and homes in parts of Cornwall as heavy rain and gale-force winds caused flooding and disruption.
    LNP_Cornwall_floods_MBO_04.JPG
  • ©London News pictures... 17/11/2010. Shop keepers clean up mud.The River Fowey burst its banks at Lost Withiel in Cornwall. today (Wednesday). Some people have been left trapped in their cars and homes in parts of Cornwall as heavy rain and gale-force winds caused flooding and disruption.
    LNP_Cornwall_floods_MBO_03.JPG
  • ©London News pictures... 17/11/2010. A fire engine drives through the mud left after the water receded. The River Fowey burst its banks at Lost Withiel in Cornwall. today (Wednesday). Some people have been left trapped in their cars and homes in parts of Cornwall as heavy rain and gale-force winds caused flooding and disruption.
    LNP_Cornwall_floods_MBO_02.JPG
  • ©London News pictures... 17/11/2010. A couple abandon their car is rising flood water. The River Fowey burst its banks at Lost Withiel in Cornwall. today (Wednesday). Some people have been left trapped in their cars and homes in parts of Cornwall as heavy rain and gale-force winds caused flooding and disruption.
    LNP_Cornwall_floods_MBO_01.JPG
  • © Licensed to London News Pictures. 31/01/2020. London, UK. Brexit supporters start to gather in Parliament Square this afternoon ahead of the expected Brexit celebrations this evening as the UK leave the European Union at 11pm tonight. Photo credit: Alex Lentati/LNP
    LNP_Brexit_Day_ALE_21.jpg
  • © Licensed to London News Pictures. 31/01/2020. London, UK. Brexit supporters start to gather in Parliament Square this afternoon ahead of the expected Brexit celebrations this evening as the UK leave the European Union at 11pm tonight. Photo credit: Alex Lentati/LNP
    LNP_Brexit_Day_ALE_20.jpg
  • © Licensed to London News Pictures. 31/01/2020. London, UK. A Brexit supporter stands on a European flag while waving flags as supporters start to gather in Parliament Square this afternoon ahead of the expected Brexit celebrations this evening as the UK leave the European Union at 11pm tonight. Photo credit: Alex Lentati/LNP
    LNP_Brexit_Day_ALE_19.jpg
  • © Licensed to London News Pictures. 31/01/2020. London, UK. A Brexit supporter stands on a European flag while waving flags as supporters start to gather in Parliament Square this afternoon ahead of the expected Brexit celebrations this evening as the UK leave the European Union at 11pm tonight. Photo credit: Alex Lentati/LNP
    LNP_Brexit_Day_ALE_17.jpg
  • © Licensed to London News Pictures. 31/01/2020. London, UK. Brexit supporters with flags start to gather in Parliament Square this afternoon ahead of the expected Brexit celebrations this evening as the UK leave the European Union at 11pm tonight. Photo credit: Alex Lentati/LNP
    LNP_Brexit_Day_ALE_16.jpg
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