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  • © Licensed to London News Pictures. 10/01/2013. London, England. L-R: Alex Harvey, Charlotte Mooney and Luke Horley. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_003.jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_001.jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_012.jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. Charlotte Mooney and Alex Harvey. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_011.jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_010.jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_009.jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. L-R: Tina Koch, Charlotte Mooney, Alex Harvey and Luke Horley. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_008.jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. L-R: Charlotte Mooney, Luke Horley and Alex Harvey. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_006.jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. L-R: Charlotte Mooney, Luke Horley and Alex Harvey. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_007.jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. L-R: Charlotte Mooney, Luke Horley and Alex Harvey. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_005.jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_004.jpg
  • © Licensed to London News Pictures. 10/01/2013. London, England. "Not Until We Are Lost", performed by the aerial theatre group "Ockham's Razor" for the start of the London International Mime Festival 2013 at the new Platform Theatre King's Cross. The London International Mime Festival (LIMF'13) runs from 10 to 27 January 2013. Performers: Alex Harvey (red T-shirt), Luke Horley (brown T-shirt), Tina Koch (blue T-shirt) and Charlotte Mooney (yellow T-shirt). Photo credit: Bettina Strenske/LNP
    LNP_OckhamRazor_BST_002.jpg
  • © Licensed to London News Pictures. 08/01/2014. London, England. The 2014 London International Mime Festival opens tonight with the show "L'Après Midi d'un Foehn" by the French Compagnie Non Nova/Phia Ménard at the Platform Theatre at Central Saint Martins. Borne aloft on currents of air, small plastic bags become dancers in a ballet set to the music by Debussy. With performer Cécile Briand. Photo credit: Bettina Strenske/LNP
    LNP_LIMF_CompNonNova_BST_020.jpg
  • © Licensed to London News Pictures. 08/01/2014. London, England. The 2014 London International Mime Festival opens tonight with the show "L'Après Midi d'un Foehn" by the French Compagnie Non Nova/Phia Ménard at the Platform Theatre at Central Saint Martins. Borne aloft on currents of air, small plastic bags become dancers in a ballet set to the music by Debussy. With performer Cécile Briand. Photo credit: Bettina Strenske/LNP
    LNP_LIMF_CompNonNova_BST_018.jpg
  • © Licensed to London News Pictures. 08/01/2014. London, England. The 2014 London International Mime Festival opens tonight with the show "L'Après Midi d'un Foehn" by the French Compagnie Non Nova/Phia Ménard at the Platform Theatre at Central Saint Martins. Borne aloft on currents of air, small plastic bags become dancers in a ballet set to the music by Debussy. With performer Cécile Briand. Photo credit: Bettina Strenske/LNP
    LNP_LIMF_CompNonNova_BST_014.jpg
  • © Licensed to London News Pictures. 08/01/2014. London, England. The 2014 London International Mime Festival opens tonight with the show "L'Après Midi d'un Foehn" by the French Compagnie Non Nova/Phia Ménard at the Platform Theatre at Central Saint Martins. Borne aloft on currents of air, small plastic bags become dancers in a ballet set to the music by Debussy. With performer Cécile Briand. Photo credit: Bettina Strenske/LNP
    LNP_LIMF_CompNonNova_BST_010.jpg
  • © Licensed to London News Pictures. 08/01/2014. London, England. The 2014 London International Mime Festival opens tonight with the show "L'Après Midi d'un Foehn" by the French Compagnie Non Nova/Phia Ménard at the Platform Theatre at Central Saint Martins. Borne aloft on currents of air, small plastic bags become dancers in a ballet set to the music by Debussy. With performer Cécile Briand. Photo credit: Bettina Strenske/LNP
    LNP_LIMF_CompNonNova_BST_009.jpg
  • © Licensed to London News Pictures. 08/01/2014. London, England. The 2014 London International Mime Festival opens tonight with the show "L'Après Midi d'un Foehn" by the French Compagnie Non Nova/Phia Ménard at the Platform Theatre at Central Saint Martins. Borne aloft on currents of air, small plastic bags become dancers in a ballet set to the music by Debussy. With performer Cécile Briand. Photo credit: Bettina Strenske/LNP
    LNP_LIMF_CompNonNova_BST_008.jpg
  • © Licensed to London News Pictures. 08/01/2014. London, England. The 2014 London International Mime Festival opens tonight with the show "L'Après Midi d'un Foehn" by the French Compagnie Non Nova/Phia Ménard at the Platform Theatre at Central Saint Martins. Borne aloft on currents of air, small plastic bags become dancers in a ballet set to the music by Debussy. With performer Cécile Briand. Photo credit: Bettina Strenske/LNP
    LNP_LIMF_CompNonNova_BST_006.jpg
  • © Licensed to London News Pictures. 08/01/2014. London, England. The 2014 London International Mime Festival opens tonight with the show "L'Après Midi d'un Foehn" by the French Compagnie Non Nova/Phia Ménard at the Platform Theatre at Central Saint Martins. Borne aloft on currents of air, small plastic bags become dancers in a ballet set to the music by Debussy. With performer Cécile Briand. Photo credit: Bettina Strenske/LNP
    LNP_LIMF_CompNonNova_BST_003.jpg
  • © Licensed to London News Pictures. 08/01/2014. London, England. The 2014 London International Mime Festival opens tonight with the show "L'Après Midi d'un Foehn" by the French Compagnie Non Nova/Phia Ménard at the Platform Theatre at Central Saint Martins. Borne aloft on currents of air, small plastic bags become dancers in a ballet set to the music by Debussy. With performer Cécile Briand. Photo credit: Bettina Strenske/LNP
    LNP_LIMF_CompNonNova_BST_021.jpg
  • © Licensed to London News Pictures. 08/01/2014. London, England. The 2014 London International Mime Festival opens tonight with the show "L'Après Midi d'un Foehn" by the French Compagnie Non Nova/Phia Ménard at the Platform Theatre at Central Saint Martins. Borne aloft on currents of air, small plastic bags become dancers in a ballet set to the music by Debussy. With performer Cécile Briand. Photo credit: Bettina Strenske/LNP
    LNP_LIMF_CompNonNova_BST_012.jpg
  • © Licensed to London News Pictures. 08/01/2014. London, England. The 2014 London International Mime Festival opens tonight with the show "L'Après Midi d'un Foehn" by the French Compagnie Non Nova/Phia Ménard at the Platform Theatre at Central Saint Martins. Borne aloft on currents of air, small plastic bags become dancers in a ballet set to the music by Debussy. With performer Cécile Briand. Photo credit: Bettina Strenske/LNP
    LNP_LIMF_CompNonNova_BST_011.jpg
  • © Licensed to London News Pictures. 08/01/2014. London, England. The 2014 London International Mime Festival opens tonight with the show "L'Après Midi d'un Foehn" by the French Compagnie Non Nova/Phia Ménard at the Platform Theatre at Central Saint Martins. Borne aloft on currents of air, small plastic bags become dancers in a ballet set to the music by Debussy. With performer Cécile Briand. Photo credit: Bettina Strenske/LNP
    LNP_LIMF_CompNonNova_BST_007.jpg
  • © Licensed to London News Pictures. 08/01/2014. London, England. The 2014 London International Mime Festival opens tonight with the show "L'Après Midi d'un Foehn" by the French Compagnie Non Nova/Phia Ménard at the Platform Theatre at Central Saint Martins. Borne aloft on currents of air, small plastic bags become dancers in a ballet set to the music by Debussy. With performer Cécile Briand. Photo credit: Bettina Strenske/LNP
    LNP_LIMF_CompNonNova_BST_002.jpg
  • © Licensed to London News Pictures. 11/01/2016. London, UK. Ockham’s Razor return to the Platform Theatre London with a new full length show with original equipment that transforms simple five-metre poles into a myriad of walkways, spindles, pillars and pendulums. Presented as part of the London International Mime Festival. Featuring Emily Nicholl. Photo credit : Tony Nandi/LNP
    LNP_Ockham's_Razor_TNA_08.jpg
  • © Licensed to London News Pictures. 11/01/2016. London, UK. Ockham’s Razor return to the Platform Theatre London with a new full length show with original equipment that transforms simple five-metre poles into a myriad of walkways, spindles, pillars and pendulums. Presented as part of the London International Mime Festival. Featuring Alex Harvey & Emily Nicholl. Photo credit : Tony Nandi/LNP
    LNP_Ockham's_Razor_TNA_06.jpg
  • © Licensed to London News Pictures. 11/01/2016. London, UK. Ockham’s Razor return to the Platform Theatre London with a new full length show with original equipment that transforms simple five-metre poles into a myriad of walkways, spindles, pillars and pendulums. Presented as part of the London International Mime Festival. Featuring Alex Harvey & Emily Nicholl. Photo credit : Tony Nandi/LNP
    LNP_Ockham's_Razor_TNA_07.jpg
  • © Licensed to London News Pictures. 11/01/2016. London, UK. Ockham’s Razor return to the Platform Theatre London with a new full length show with original equipment that transforms simple five-metre poles into a myriad of walkways, spindles, pillars and pendulums. Presented as part of the London International Mime Festival. Alex Harvey, Emily Nicholl (upper) Nich Glazin, Telma Pinto & Steve RyanPhoto credit : Tony Nandi/LNP
    LNP_Ockham's_Razor_TNA_05.jpg
  • © Licensed to London News Pictures. 11/01/2016. London, UK. Ockham’s Razor return to the Platform Theatre London with a new full length show with original equipment that transforms simple five-metre poles into a myriad of walkways, spindles, pillars and pendulums. Presented as part of the London International Mime Festival. Featuring Alex Harvey & Emily Nicholl. Photo credit : Tony Nandi/LNP
    LNP_Ockham's_Razor_TNA_04.jpg
  • © Licensed to London News Pictures. 11/01/2016. London, UK. Ockham’s Razor return to the Platform Theatre London with a new full length show with original equipment that transforms simple five-metre poles into a myriad of walkways, spindles, pillars and pendulums. Presented as part of the London International Mime Festival. Featuring Alex Harvey & Emily Nicholl. Photo credit : Tony Nandi/LNP
    LNP_Ockham's_Razor_TNA_03.jpg
  • © Licensed to London News Pictures. 11/01/2016. London, UK. Ockham’s Razor return to the Platform Theatre London with a new full length show with original equipment that transforms simple five-metre poles into a myriad of walkways, spindles, pillars and pendulums. Presented as part of the London International Mime Festival. Featuring Alex Harvey & Emily Nicholl. Photo credit : Tony Nandi/LNP
    LNP_Ockham's_Razor_TNA_02.jpg
  • © Licensed to London News Pictures. 11/01/2016. London, UK. Ockham’s Razor return to the Platform Theatre London with a new full length show with original equipment that transforms simple five-metre poles into a myriad of walkways, spindles, pillars and pendulums. Presented as part of the London International Mime Festival. Featuring Alex Harvey & Emily Nicholl. Photo credit : Tony Nandi/LNP
    LNP_Ockham's_Razor_TNA_01.jpg
  • © Licensed to London News Pictures. 24/09/2018. Bristol, UK. The Bristol Old Vic Theatre in King Street reopens on Monday 24th September following a multi-million-pound transformation. Picture shows l-r: TOM MORRIS Bristol Old Vic Artistic Director, EMMA STENNING Bristol Old Vic Chief Executive, MILES CHAMBERS former Bristol Poet Laureate, SIMON CALLOW actor, in a viewing platform in the original wall of the theatre from 1766, 252 years old. The dramatic redevelopment, by leading theatre and Stirling prize-winning architects Haworth Tompkins, is designed to create a warm and welcoming venue to attract wider, more diverse audiences, and to place the theatre at the heart of the city's public and cultural life. A full-height timber and glass-fronted foyer, revealing the original auditorium façade to the street for the first time, acts like a covered public square. Huge sun-shading shutters, incorporating the text of Garrick's inaugural 1766 address and a poem by former Bristol city poet Miles Chamber, highlight the theatre's long history and look forward to its future role in the whole community. The internal layout of the theatre has also been completely transformed, with the restoration of the Georgian Coopers' Hall as a public assembly room for Bristol, a new studio theatre created in the old barrel vaults, mezzanine galleries, winding staircases and viewing platforms. Together, they provide new flexible spaces for productions, events, experimental theatre and city-wide participation. The Bristol Old Vic is the oldest continuously working theatre in the English speaking world. Photo credit: Simon Chapman/LNP
    LNP_BRISTOL_OLD_VIC_180924_SCH_04.jpg
  • © Licensed to London News Pictures. 24/09/2018. Bristol, UK. The Bristol Old Vic Theatre in King Street reopens on Monday 24th September following a multi-million-pound transformation. Picture shows l-r: TOM MORRIS Bristol Old Vic Artistic Director, EMMA STENNING Bristol Old Vic Chief Executive, MILES CHAMBERS former Bristol Poet Laureate, SIMON CALLOW actor, in a viewing platform in the original wall of the theatre from 1766, 252 years old. The dramatic redevelopment, by leading theatre and Stirling prize-winning architects Haworth Tompkins, is designed to create a warm and welcoming venue to attract wider, more diverse audiences, and to place the theatre at the heart of the city's public and cultural life. A full-height timber and glass-fronted foyer, revealing the original auditorium façade to the street for the first time, acts like a covered public square. Huge sun-shading shutters, incorporating the text of Garrick's inaugural 1766 address and a poem by former Bristol city poet Miles Chamber, highlight the theatre's long history and look forward to its future role in the whole community. The internal layout of the theatre has also been completely transformed, with the restoration of the Georgian Coopers' Hall as a public assembly room for Bristol, a new studio theatre created in the old barrel vaults, mezzanine galleries, winding staircases and viewing platforms. Together, they provide new flexible spaces for productions, events, experimental theatre and city-wide participation. The Bristol Old Vic is the oldest continuously working theatre in the English speaking world. Photo credit: Simon Chapman/LNP
    LNP_BRISTOL_OLD_VIC_180924_SCH_01.jpg
  • © Licensed to London News Pictures. 24/09/2018. Bristol, UK. The Bristol Old Vic Theatre in King Street reopens on Monday 24th September following a multi-million-pound transformation. Picture shows sun-shading shutters, incorporating the text of Garrick's inaugural 1766 address and a poem by former Bristol city poet Miles Chambers. The dramatic redevelopment of the theatre, by leading theatre and Stirling prize-winning architects Haworth Tompkins, is designed to create a warm and welcoming venue to attract wider, more diverse audiences, and to place the theatre at the heart of the city's public and cultural life. A full-height timber and glass-fronted foyer, revealing the original auditorium façade to the street for the first time, acts like a covered public square. Huge sun-shading shutters, incorporating the text of Garrick's inaugural 1766 address and a poem by former Bristol city poet Miles Chamber, highlight the theatre's long history and look forward to its future role in the whole community. The internal layout of the theatre has also been completely transformed, with the restoration of the Georgian Coopers' Hall as a public assembly room for Bristol, a new studio theatre created in the old barrel vaults, mezzanine galleries, winding staircases and viewing platforms. Together, they provide new flexible spaces for productions, events, experimental theatre and city-wide participation. The Bristol Old Vic is the oldest continuously working theatre in the English speaking world. Photo credit: Simon Chapman/LNP
    LNP_BRISTOL_OLD_VIC_180924_SCH_17.jpg
  • © Licensed to London News Pictures. 24/09/2018. Bristol, UK. The Bristol Old Vic Theatre in King Street reopens on Monday 24th September following a multi-million-pound transformation. Picture shows sun-shading shutters, incorporating the text of Garrick's inaugural 1766 address and a poem by former Bristol city poet Miles Chambers. The dramatic redevelopment of the theatre, by leading theatre and Stirling prize-winning architects Haworth Tompkins, is designed to create a warm and welcoming venue to attract wider, more diverse audiences, and to place the theatre at the heart of the city's public and cultural life. A full-height timber and glass-fronted foyer, revealing the original auditorium façade to the street for the first time, acts like a covered public square. Huge sun-shading shutters, incorporating the text of Garrick's inaugural 1766 address and a poem by former Bristol city poet Miles Chamber, highlight the theatre's long history and look forward to its future role in the whole community. The internal layout of the theatre has also been completely transformed, with the restoration of the Georgian Coopers' Hall as a public assembly room for Bristol, a new studio theatre created in the old barrel vaults, mezzanine galleries, winding staircases and viewing platforms. Together, they provide new flexible spaces for productions, events, experimental theatre and city-wide participation. The Bristol Old Vic is the oldest continuously working theatre in the English speaking world. Photo credit: Simon Chapman/LNP
    LNP_BRISTOL_OLD_VIC_180924_SCH_16.jpg
  • © Licensed to London News Pictures. 24/09/2018. Bristol, UK. The Bristol Old Vic Theatre in King Street reopens on Monday 24th September following a multi-million-pound transformation. Picture shows sun-shading shutters, incorporating the text of Garrick's inaugural 1766 address and a poem by former Bristol city poet Miles Chambers. The dramatic redevelopment of the theatre, by leading theatre and Stirling prize-winning architects Haworth Tompkins, is designed to create a warm and welcoming venue to attract wider, more diverse audiences, and to place the theatre at the heart of the city's public and cultural life. A full-height timber and glass-fronted foyer, revealing the original auditorium façade to the street for the first time, acts like a covered public square. Huge sun-shading shutters, incorporating the text of Garrick's inaugural 1766 address and a poem by former Bristol city poet Miles Chamber, highlight the theatre's long history and look forward to its future role in the whole community. The internal layout of the theatre has also been completely transformed, with the restoration of the Georgian Coopers' Hall as a public assembly room for Bristol, a new studio theatre created in the old barrel vaults, mezzanine galleries, winding staircases and viewing platforms. Together, they provide new flexible spaces for productions, events, experimental theatre and city-wide participation. The Bristol Old Vic is the oldest continuously working theatre in the English speaking world. Photo credit: Simon Chapman/LNP
    LNP_BRISTOL_OLD_VIC_180924_SCH_15.jpg
  • © Licensed to London News Pictures. 24/09/2018. Bristol, UK. The Bristol Old Vic Theatre in King Street reopens on Monday 24th September following a multi-million-pound transformation. Picture shows sun-shading shutters, incorporating the text of Garrick's inaugural 1766 address and a poem by former Bristol city poet Miles Chambers. The dramatic redevelopment of the theatre, by leading theatre and Stirling prize-winning architects Haworth Tompkins, is designed to create a warm and welcoming venue to attract wider, more diverse audiences, and to place the theatre at the heart of the city's public and cultural life. A full-height timber and glass-fronted foyer, revealing the original auditorium façade to the street for the first time, acts like a covered public square. Huge sun-shading shutters, incorporating the text of Garrick's inaugural 1766 address and a poem by former Bristol city poet Miles Chamber, highlight the theatre's long history and look forward to its future role in the whole community. The internal layout of the theatre has also been completely transformed, with the restoration of the Georgian Coopers' Hall as a public assembly room for Bristol, a new studio theatre created in the old barrel vaults, mezzanine galleries, winding staircases and viewing platforms. Together, they provide new flexible spaces for productions, events, experimental theatre and city-wide participation. The Bristol Old Vic is the oldest continuously working theatre in the English speaking world. Photo credit: Simon Chapman/LNP
    LNP_BRISTOL_OLD_VIC_180924_SCH_14.jpg
  • © Licensed to London News Pictures. 24/09/2018. Bristol, UK. The Bristol Old Vic Theatre in King Street reopens on Monday 24th September following a multi-million-pound transformation. Picture shows viewing platforms in part of the original wall of the theatre from 1766, 252 years old. The dramatic redevelopment, by leading theatre and Stirling prize-winning architects Haworth Tompkins, is designed to create a warm and welcoming venue to attract wider, more diverse audiences, and to place the theatre at the heart of the city's public and cultural life. A full-height timber and glass-fronted foyer, revealing the original auditorium façade to the street for the first time, acts like a covered public square. Huge sun-shading shutters, incorporating the text of Garrick's inaugural 1766 address and a poem by former Bristol city poet Miles Chamber, highlight the theatre's long history and look forward to its future role in the whole community. The internal layout of the theatre has also been completely transformed, with the restoration of the Georgian Coopers' Hall as a public assembly room for Bristol, a new studio theatre created in the old barrel vaults, mezzanine galleries, winding staircases and viewing platforms. Together, they provide new flexible spaces for productions, events, experimental theatre and city-wide participation. The Bristol Old Vic is the oldest continuously working theatre in the English speaking world. Photo credit: Simon Chapman/LNP
    LNP_BRISTOL_OLD_VIC_180924_SCH_13.jpg
  • © Licensed to London News Pictures. 24/09/2018. Bristol, UK. The Bristol Old Vic Theatre in King Street reopens on Monday 24th September following a multi-million-pound transformation. Picture shows l-r: SIMON CALLOW actor, MILES CHAMBERS former Bristol Poet Laureate, EMMA STENNING Bristol Old Vic Chief Executive, TOM MORRIS Bristol Old Vic Artistic Director, in viewing platforms in the original wall of the theatre from 1766, 252 years old. The dramatic redevelopment, by leading theatre and Stirling prize-winning architects Haworth Tompkins, is designed to create a warm and welcoming venue to attract wider, more diverse audiences, and to place the theatre at the heart of the city's public and cultural life. A full-height timber and glass-fronted foyer, revealing the original auditorium façade to the street for the first time, acts like a covered public square. Huge sun-shading shutters, incorporating the text of Garrick's inaugural 1766 address and a poem by former Bristol city poet Miles Chamber, highlight the theatre's long history and look forward to its future role in the whole community. The internal layout of the theatre has also been completely transformed, with the restoration of the Georgian Coopers' Hall as a public assembly room for Bristol, a new studio theatre created in the old barrel vaults, mezzanine galleries, winding staircases and viewing platforms. Together, they provide new flexible spaces for productions, events, experimental theatre and city-wide participation. The Bristol Old Vic is the oldest continuously working theatre in the English speaking world. Photo credit: Simon Chapman/LNP
    LNP_BRISTOL_OLD_VIC_180924_SCH_11.jpg
  • © Licensed to London News Pictures. 24/09/2018. Bristol, UK. The Bristol Old Vic Theatre in King Street reopens on Monday 24th September following a multi-million-pound transformation. Picture shows l-r: SIMON CALLOW actor, MILES CHAMBERS former Bristol Poet Laureate, EMMA STENNING Bristol Old Vic Chief Executive, TOM MORRIS Bristol Old Vic Artistic Director, in viewing platforms in the original wall of the theatre from 1766, 252 years old. The dramatic redevelopment, by leading theatre and Stirling prize-winning architects Haworth Tompkins, is designed to create a warm and welcoming venue to attract wider, more diverse audiences, and to place the theatre at the heart of the city's public and cultural life. A full-height timber and glass-fronted foyer, revealing the original auditorium façade to the street for the first time, acts like a covered public square. Huge sun-shading shutters, incorporating the text of Garrick's inaugural 1766 address and a poem by former Bristol city poet Miles Chamber, highlight the theatre's long history and look forward to its future role in the whole community. The internal layout of the theatre has also been completely transformed, with the restoration of the Georgian Coopers' Hall as a public assembly room for Bristol, a new studio theatre created in the old barrel vaults, mezzanine galleries, winding staircases and viewing platforms. Together, they provide new flexible spaces for productions, events, experimental theatre and city-wide participation. The Bristol Old Vic is the oldest continuously working theatre in the English speaking world. Photo credit: Simon Chapman/LNP
    LNP_BRISTOL_OLD_VIC_180924_SCH_10.jpg
  • © Licensed to London News Pictures. 24/09/2018. Bristol, UK. The Bristol Old Vic Theatre in King Street reopens on Monday 24th September following a multi-million-pound transformation, with speeches including here from actor SIMON CALLOW. The dramatic redevelopment, by leading theatre and Stirling prize-winning architects Haworth Tompkins, is designed to create a warm and welcoming venue to attract wider, more diverse audiences, and to place the theatre at the heart of the city's public and cultural life. A full-height timber and glass-fronted foyer, revealing the original auditorium façade to the street for the first time, acts like a covered public square. Huge sun-shading shutters, incorporating the text of Garrick's inaugural 1766 address and a poem by former Bristol city poet Miles Chamber, highlight the theatre's long history and look forward to its future role in the whole community. The internal layout of the theatre has also been completely transformed, with the restoration of the Georgian Coopers' Hall as a public assembly room for Bristol, a new studio theatre created in the old barrel vaults, mezzanine galleries, winding staircases and viewing platforms. Together, they provide new flexible spaces for productions, events, experimental theatre and city-wide participation. The Bristol Old Vic is the oldest continuously working theatre in the English speaking world. Photo credit: Simon Chapman/LNP
    LNP_BRISTOL_OLD_VIC_180924_SCH_24.jpg
  • © Licensed to London News Pictures. 24/09/2018. Bristol, UK. The Bristol Old Vic Theatre in King Street reopens on Monday 24th September following a multi-million-pound transformation, with speeches including here from TOM MORRIS, Artistic Director of the Bristol Old Vic. The dramatic redevelopment, by leading theatre and Stirling prize-winning architects Haworth Tompkins, is designed to create a warm and welcoming venue to attract wider, more diverse audiences, and to place the theatre at the heart of the city's public and cultural life. A full-height timber and glass-fronted foyer, revealing the original auditorium façade to the street for the first time, acts like a covered public square. Huge sun-shading shutters, incorporating the text of Garrick's inaugural 1766 address and a poem by former Bristol city poet Miles Chamber, highlight the theatre's long history and look forward to its future role in the whole community. The internal layout of the theatre has also been completely transformed, with the restoration of the Georgian Coopers' Hall as a public assembly room for Bristol, a new studio theatre created in the old barrel vaults, mezzanine galleries, winding staircases and viewing platforms. Together, they provide new flexible spaces for productions, events, experimental theatre and city-wide participation. The Bristol Old Vic is the oldest continuously working theatre in the English speaking world. Photo credit: Simon Chapman/LNP
    LNP_BRISTOL_OLD_VIC_180924_SCH_22.jpg
  • © Licensed to London News Pictures. 24/09/2018. Bristol, UK. The Bristol Old Vic Theatre in King Street reopens on Monday 24th September following a multi-million-pound transformation, with speeches including here from former Bristol Poet Laureate MILES CHAMBERS, watched here by actor SIMON CALLOW. The dramatic redevelopment, by leading theatre and Stirling prize-winning architects Haworth Tompkins, is designed to create a warm and welcoming venue to attract wider, more diverse audiences, and to place the theatre at the heart of the city's public and cultural life. A full-height timber and glass-fronted foyer, revealing the original auditorium façade to the street for the first time, acts like a covered public square. Huge sun-shading shutters, incorporating the text of Garrick's inaugural 1766 address and a poem by former Bristol city poet Miles Chamber, highlight the theatre's long history and look forward to its future role in the whole community. The internal layout of the theatre has also been completely transformed, with the restoration of the Georgian Coopers' Hall as a public assembly room for Bristol, a new studio theatre created in the old barrel vaults, mezzanine galleries, winding staircases and viewing platforms. Together, they provide new flexible spaces for productions, events, experimental theatre and city-wide participation. The Bristol Old Vic is the oldest continuously working theatre in the English speaking world. Photo credit: Simon Chapman/LNP
    LNP_BRISTOL_OLD_VIC_180924_SCH_21.jpg
  • © Licensed to London News Pictures. 24/09/2018. Bristol, UK. The Bristol Old Vic Theatre in King Street reopens on Monday 24th September following a multi-million-pound transformation. The dramatic redevelopment, by leading theatre and Stirling prize-winning architects Haworth Tompkins, is designed to create a warm and welcoming venue to attract wider, more diverse audiences, and to place the theatre at the heart of the city's public and cultural life. A full-height timber and glass-fronted foyer, revealing the original auditorium façade to the street for the first time, acts like a covered public square. Huge sun-shading shutters, incorporating the text of Garrick's inaugural 1766 address and a poem by former Bristol city poet Miles Chamber, highlight the theatre's long history and look forward to its future role in the whole community. The internal layout of the theatre has also been completely transformed, with the restoration of the Georgian Coopers' Hall as a public assembly room for Bristol, a new studio theatre created in the old barrel vaults, mezzanine galleries, winding staircases and viewing platforms. Together, they provide new flexible spaces for productions, events, experimental theatre and city-wide participation. The Bristol Old Vic is the oldest continuously working theatre in the English speaking world. Photo credit: Simon Chapman/LNP
    LNP_BRISTOL_OLD_VIC_180924_SCH_20.jpg
  • © Licensed to London News Pictures. 24/09/2018. Bristol, UK. The Bristol Old Vic Theatre in King Street reopens on Monday 24th September following a multi-million-pound transformation. Picture shows the foyer. The dramatic redevelopment, by leading theatre and Stirling prize-winning architects Haworth Tompkins, is designed to create a warm and welcoming venue to attract wider, more diverse audiences, and to place the theatre at the heart of the city's public and cultural life. A full-height timber and glass-fronted foyer, revealing the original auditorium façade to the street for the first time, acts like a covered public square. Huge sun-shading shutters, incorporating the text of Garrick's inaugural 1766 address and a poem by former Bristol city poet Miles Chamber, highlight the theatre's long history and look forward to its future role in the whole community. The internal layout of the theatre has also been completely transformed, with the restoration of the Georgian Coopers' Hall as a public assembly room for Bristol, a new studio theatre created in the old barrel vaults, mezzanine galleries, winding staircases and viewing platforms. Together, they provide new flexible spaces for productions, events, experimental theatre and city-wide participation. The Bristol Old Vic is the oldest continuously working theatre in the English speaking world. Photo credit: Simon Chapman/LNP
    LNP_BRISTOL_OLD_VIC_180924_SCH_18.jpg
  • 11/12/2011. Around the World in 80 Days at the Brockley Jack Theatre.This brand new re-telling of Jules Verne's classic tale whisks the audience from rainy station platforms in nineteenth century London to a technicolor, Bollywood vision of the tropics and the frozen wastes of North America..Adapted by Brute Farce and directed by Kate Bannister Photo credit : Tony Nandi/LNP
    LNP_Around_the_World_TNA_15.jpg
  • 11/12/2011. Around the World in 80 Days at the Brockley Jack Theatre.This brand new re-telling of Jules Verne's classic tale whisks the audience from rainy station platforms in nineteenth century London to a technicolor, Bollywood vision of the tropics and the frozen wastes of North America..Adapted by Brute Farce and directed by Kate Bannister Photo credit : Tony Nandi/LNP
    LNP_Around_the_World_TNA_14.jpg
  • 11/12/2011. Around the World in 80 Days at the Brockley Jack Theatre.This brand new re-telling of Jules Verne's classic tale whisks the audience from rainy station platforms in nineteenth century London to a technicolor, Bollywood vision of the tropics and the frozen wastes of North America..Adapted by Brute Farce and directed by Kate Bannister Photo credit : Tony Nandi/LNP
    LNP_Around_the_World_TNA_13.jpg
  • 11/12/2011. Around the World in 80 Days at the Brockley Jack Theatre.This brand new re-telling of Jules Verne's classic tale whisks the audience from rainy station platforms in nineteenth century London to a technicolor, Bollywood vision of the tropics and the frozen wastes of North America..Adapted by Brute Farce and directed by Kate Bannister Photo credit : Tony Nandi/LNP
    LNP_Around_the_World_TNA_12.jpg
  • 11/12/2011. Around the World in 80 Days at the Brockley Jack Theatre.This brand new re-telling of Jules Verne's classic tale whisks the audience from rainy station platforms in nineteenth century London to a technicolor, Bollywood vision of the tropics and the frozen wastes of North America..Adapted by Brute Farce and directed by Kate Bannister Photo credit : Tony Nandi/LNP
    LNP_Around_the_World_TNA_11.jpg
  • 11/12/2011. Around the World in 80 Days at the Brockley Jack Theatre.This brand new re-telling of Jules Verne's classic tale whisks the audience from rainy station platforms in nineteenth century London to a technicolor, Bollywood vision of the tropics and the frozen wastes of North America..Adapted by Brute Farce and directed by Kate Bannister Photo credit : Tony Nandi/LNP
    LNP_Around_the_World_TNA_08.jpg
  • 11/12/2011. Around the World in 80 Days at the Brockley Jack Theatre.This brand new re-telling of Jules Verne's classic tale whisks the audience from rainy station platforms in nineteenth century London to a technicolor, Bollywood vision of the tropics and the frozen wastes of North America..Adapted by Brute Farce and directed by Kate Bannister Photo credit : Tony Nandi/LNP
    LNP_Around_the_World_TNA_10.jpg
  • 11/12/2011. Around the World in 80 Days at the Brockley Jack Theatre.This brand new re-telling of Jules Verne's classic tale whisks the audience from rainy station platforms in nineteenth century London to a technicolor, Bollywood vision of the tropics and the frozen wastes of North America..Adapted by Brute Farce and directed by Kate Bannister Photo credit : Tony Nandi/LNP
    LNP_Around_the_World_TNA_06.jpg
  • 11/12/2011. Around the World in 80 Days at the Brockley Jack Theatre.This brand new re-telling of Jules Verne's classic tale whisks the audience from rainy station platforms in nineteenth century London to a technicolor, Bollywood vision of the tropics and the frozen wastes of North America..Adapted by Brute Farce and directed by Kate Bannister Photo credit : Tony Nandi/LNP
    LNP_Around_the_World_TNA_05.jpg
  • 11/12/2011. Around the World in 80 Days at the Brockley Jack Theatre.This brand new re-telling of Jules Verne's classic tale whisks the audience from rainy station platforms in nineteenth century London to a technicolor, Bollywood vision of the tropics and the frozen wastes of North America..Adapted by Brute Farce and directed by Kate Bannister Photo credit : Tony Nandi/LNP
    LNP_Around_the_World_TNA_03.jpg
  • 11/12/2011. Around the World in 80 Days at the Brockley Jack Theatre.This brand new re-telling of Jules Verne's classic tale whisks the audience from rainy station platforms in nineteenth century London to a technicolor, Bollywood vision of the tropics and the frozen wastes of North America..Adapted by Brute Farce and directed by Kate Bannister Photo credit : Tony Nandi/LNP
    LNP_Around_the_World_TNA_04.jpg